The imaginary worlds of sustainability: observations from an interactive art installation

We report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, an...

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Bibliographic Details
Main Authors: Roy Bendor, David Maggs, Rachel Peake, John Robinson, Steve Williams
Format: Article
Language:English
Published: Resilience Alliance 2017-06-01
Series:Ecology and Society
Subjects:
art
Online Access:http://www.ecologyandsociety.org/vol22/iss2/art17/
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spelling doaj-590a2dea24214fccab7ef652b988d0fd2020-11-24T23:13:27ZengResilience AllianceEcology and Society1708-30872017-06-012221710.5751/ES-09240-2202179240The imaginary worlds of sustainability: observations from an interactive art installationRoy Bendor0David Maggs1Rachel PeakeJohn Robinson2Steve Williams3Delft University of Technology, The NetherlandsUniversity of British Columbia, CanadaUniversity of Toronto, CanadaUniversity of British Columbia, CanadaWe report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, and four interactive rooms within which participants wandered, partially guided by a narrative through-line, yet at the same time left to make sense of any larger meanings on their own. The installation was designed to experiment with two propositions: (1) that there is value in public engagement with sustainability based on the exploration and articulation of deeply held beliefs about the world - the worldviews, values, and presuppositions that mediate perception and action; (2) that there is value in replacing the infocentric tendency of most public engagement on sustainability with an approach premised in aesthetics and experiential resonance. Following the installation's two-week pilot run, our preliminary results indicated that the majority of participants found the experience both resonant and thought provoking, and were mostly willing to critically engage with their pre-existing notions of sustainability.http://www.ecologyandsociety.org/vol22/iss2/art17/artcultural dimensions of sustainabilityimaginationontological agencysocial constructivism
collection DOAJ
language English
format Article
sources DOAJ
author Roy Bendor
David Maggs
Rachel Peake
John Robinson
Steve Williams
spellingShingle Roy Bendor
David Maggs
Rachel Peake
John Robinson
Steve Williams
The imaginary worlds of sustainability: observations from an interactive art installation
Ecology and Society
art
cultural dimensions of sustainability
imagination
ontological agency
social constructivism
author_facet Roy Bendor
David Maggs
Rachel Peake
John Robinson
Steve Williams
author_sort Roy Bendor
title The imaginary worlds of sustainability: observations from an interactive art installation
title_short The imaginary worlds of sustainability: observations from an interactive art installation
title_full The imaginary worlds of sustainability: observations from an interactive art installation
title_fullStr The imaginary worlds of sustainability: observations from an interactive art installation
title_full_unstemmed The imaginary worlds of sustainability: observations from an interactive art installation
title_sort imaginary worlds of sustainability: observations from an interactive art installation
publisher Resilience Alliance
series Ecology and Society
issn 1708-3087
publishDate 2017-06-01
description We report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, and four interactive rooms within which participants wandered, partially guided by a narrative through-line, yet at the same time left to make sense of any larger meanings on their own. The installation was designed to experiment with two propositions: (1) that there is value in public engagement with sustainability based on the exploration and articulation of deeply held beliefs about the world - the worldviews, values, and presuppositions that mediate perception and action; (2) that there is value in replacing the infocentric tendency of most public engagement on sustainability with an approach premised in aesthetics and experiential resonance. Following the installation's two-week pilot run, our preliminary results indicated that the majority of participants found the experience both resonant and thought provoking, and were mostly willing to critically engage with their pre-existing notions of sustainability.
topic art
cultural dimensions of sustainability
imagination
ontological agency
social constructivism
url http://www.ecologyandsociety.org/vol22/iss2/art17/
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