The imaginary worlds of sustainability: observations from an interactive art installation
We report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, an...
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Resilience Alliance
2017-06-01
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Online Access: | http://www.ecologyandsociety.org/vol22/iss2/art17/ |
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doaj-590a2dea24214fccab7ef652b988d0fd2020-11-24T23:13:27ZengResilience AllianceEcology and Society1708-30872017-06-012221710.5751/ES-09240-2202179240The imaginary worlds of sustainability: observations from an interactive art installationRoy Bendor0David Maggs1Rachel PeakeJohn Robinson2Steve Williams3Delft University of Technology, The NetherlandsUniversity of British Columbia, CanadaUniversity of Toronto, CanadaUniversity of British Columbia, CanadaWe report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, and four interactive rooms within which participants wandered, partially guided by a narrative through-line, yet at the same time left to make sense of any larger meanings on their own. The installation was designed to experiment with two propositions: (1) that there is value in public engagement with sustainability based on the exploration and articulation of deeply held beliefs about the world - the worldviews, values, and presuppositions that mediate perception and action; (2) that there is value in replacing the infocentric tendency of most public engagement on sustainability with an approach premised in aesthetics and experiential resonance. Following the installation's two-week pilot run, our preliminary results indicated that the majority of participants found the experience both resonant and thought provoking, and were mostly willing to critically engage with their pre-existing notions of sustainability.http://www.ecologyandsociety.org/vol22/iss2/art17/artcultural dimensions of sustainabilityimaginationontological agencysocial constructivism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Roy Bendor David Maggs Rachel Peake John Robinson Steve Williams |
spellingShingle |
Roy Bendor David Maggs Rachel Peake John Robinson Steve Williams The imaginary worlds of sustainability: observations from an interactive art installation Ecology and Society art cultural dimensions of sustainability imagination ontological agency social constructivism |
author_facet |
Roy Bendor David Maggs Rachel Peake John Robinson Steve Williams |
author_sort |
Roy Bendor |
title |
The imaginary worlds of sustainability: observations from an interactive art installation |
title_short |
The imaginary worlds of sustainability: observations from an interactive art installation |
title_full |
The imaginary worlds of sustainability: observations from an interactive art installation |
title_fullStr |
The imaginary worlds of sustainability: observations from an interactive art installation |
title_full_unstemmed |
The imaginary worlds of sustainability: observations from an interactive art installation |
title_sort |
imaginary worlds of sustainability: observations from an interactive art installation |
publisher |
Resilience Alliance |
series |
Ecology and Society |
issn |
1708-3087 |
publishDate |
2017-06-01 |
description |
We report on preliminary results from a public engagement project based on a procedural approach to sustainability. The project centered on an interactive art installation that comprised a live actor, an immersive soundscape featuring a handful of different characters, an interactive touch-table, and four interactive rooms within which participants wandered, partially guided by a narrative through-line, yet at the same time left to make sense of any larger meanings on their own. The installation was designed to experiment with two propositions: (1) that there is value in public engagement with sustainability based on the exploration and articulation of deeply held beliefs about the world - the worldviews, values, and presuppositions that mediate perception and action; (2) that there is value in replacing the infocentric tendency of most public engagement on sustainability with an approach premised in aesthetics and experiential resonance. Following the installation's two-week pilot run, our preliminary results indicated that the majority of participants found the experience both resonant and thought provoking, and were mostly willing to critically engage with their pre-existing notions of sustainability. |
topic |
art cultural dimensions of sustainability imagination ontological agency social constructivism |
url |
http://www.ecologyandsociety.org/vol22/iss2/art17/ |
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