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While a new assistant professor at the University of Arizona, Paul Ivey had the opportunity to write critical reviews of regional, national, and even international art exhibitions for THE magazine, published in Santa Fe, New Mexico by Guy Cross. Donald Preziosi’s influence marked these reviews, as I...
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Department of Art History, University of Birmingham
2016-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2016/11/ivey.pdf |
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doaj-5a78432e3933409ca0f0b40692525b552020-11-24T23:29:21ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-12-011515PI1n gratitudePaul Ivey0University of ArizonaWhile a new assistant professor at the University of Arizona, Paul Ivey had the opportunity to write critical reviews of regional, national, and even international art exhibitions for THE magazine, published in Santa Fe, New Mexico by Guy Cross. Donald Preziosi’s influence marked these reviews, as Ivey attempted to translate the insights from Preziosi’s seminars and books to Santa Fe’s art publics. Reviews of Beuys and Archigram (Centre Georges Pompidou, Paris, 1994), Mark Rothko, The Spirit of Myth (University of Arizona Museum of Art, Tucson, 1995), and the 1997 Documenta and Venice Biennale are slightly revised critical reflections from THE magazine, punctuated by short notes from Don’s seminars, dedicated as a humble tribute to and celebration of Donald Preziosi’s enduring inspiration in Ivey’s intellectual and professional life.https://arthistoriography.files.wordpress.com/2016/11/ivey.pdfDonald PreziosiinfluenceTHE magazine |
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DOAJ |
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English |
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Paul Ivey |
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Paul Ivey n gratitude Journal of Art Historiography Donald Preziosi influence THE magazine |
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Department of Art History, University of Birmingham |
| series |
Journal of Art Historiography |
| issn |
2042-4752 |
| publishDate |
2016-12-01 |
| description |
While a new assistant professor at the University of Arizona, Paul Ivey had the opportunity to write critical reviews of regional, national, and even international art exhibitions for THE magazine, published in Santa Fe, New Mexico by Guy Cross. Donald Preziosi’s influence marked these reviews, as Ivey attempted to translate the insights from Preziosi’s seminars and books to Santa Fe’s art publics. Reviews of Beuys and Archigram (Centre Georges Pompidou, Paris, 1994), Mark Rothko, The Spirit of Myth (University of Arizona Museum of Art, Tucson, 1995), and the 1997 Documenta and Venice Biennale are slightly revised critical reflections from THE magazine, punctuated by short notes from Don’s seminars, dedicated as a humble tribute to and celebration of Donald Preziosi’s enduring inspiration in Ivey’s intellectual and professional life. |
| topic |
Donald Preziosi influence THE magazine |
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https://arthistoriography.files.wordpress.com/2016/11/ivey.pdf |
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