Theatricality and Fantastic Elements in Haunted Attractions

<p>In this text I define haunted attractions as the most suitable stage form to recreate fear. In light of the limitations of conventional theatre in this regard, haunted attractions become the most productive option, pushing the rupture of the fourth wall to the limit and involving the audien...

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Main Author: Miguel Carrera Garrido
Format: Article
Language:English
Published: Universitat Autònoma de Barcelona 2014-12-01
Series:Brumal: Revista de Investigación sobre lo Fantástico
Subjects:
Online Access:https://revistes.uab.cat/brumal/article/view/121
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spelling doaj-5bbc30c961e941af8a207aff24e8efb52021-02-09T17:29:13ZengUniversitat Autònoma de BarcelonaBrumal: Revista de Investigación sobre lo Fantástico2014-79102014-12-012212915810.5565/rev/brumal.12151Theatricality and Fantastic Elements in Haunted AttractionsMiguel Carrera Garrido0Miguel Carrera Garrido Universidad MARIE-Curie-Skolowska de Lublin (Polonia) / Instituto del Teatro de Madrid (ITEM)<p>In this text I define haunted attractions as the most suitable stage form to recreate fear. In light of the limitations of conventional theatre in this regard, haunted attractions become the most productive option, pushing the rupture of the fourth wall to the limit and involving the audience in the show. Normally dismissed by the Academy, there is no scientific bibliography about them. The article starts off, then, defining the object of study and offering significant examples. It goes on to demonstrate its fully theatrical nature, linking it with the postdramatic; and lastly, takes into consideration the role played by supernatural elements in the participants’ emotional response, which contributes to an understanding of the deep functioning of haunted attractions.</p><p> </p>https://revistes.uab.cat/brumal/article/view/121haunted attractionstheatricalityinteractivityhorrorfantastic.
collection DOAJ
language English
format Article
sources DOAJ
author Miguel Carrera Garrido
spellingShingle Miguel Carrera Garrido
Theatricality and Fantastic Elements in Haunted Attractions
Brumal: Revista de Investigación sobre lo Fantástico
haunted attractions
theatricality
interactivity
horror
fantastic.
author_facet Miguel Carrera Garrido
author_sort Miguel Carrera Garrido
title Theatricality and Fantastic Elements in Haunted Attractions
title_short Theatricality and Fantastic Elements in Haunted Attractions
title_full Theatricality and Fantastic Elements in Haunted Attractions
title_fullStr Theatricality and Fantastic Elements in Haunted Attractions
title_full_unstemmed Theatricality and Fantastic Elements in Haunted Attractions
title_sort theatricality and fantastic elements in haunted attractions
publisher Universitat Autònoma de Barcelona
series Brumal: Revista de Investigación sobre lo Fantástico
issn 2014-7910
publishDate 2014-12-01
description <p>In this text I define haunted attractions as the most suitable stage form to recreate fear. In light of the limitations of conventional theatre in this regard, haunted attractions become the most productive option, pushing the rupture of the fourth wall to the limit and involving the audience in the show. Normally dismissed by the Academy, there is no scientific bibliography about them. The article starts off, then, defining the object of study and offering significant examples. It goes on to demonstrate its fully theatrical nature, linking it with the postdramatic; and lastly, takes into consideration the role played by supernatural elements in the participants’ emotional response, which contributes to an understanding of the deep functioning of haunted attractions.</p><p> </p>
topic haunted attractions
theatricality
interactivity
horror
fantastic.
url https://revistes.uab.cat/brumal/article/view/121
work_keys_str_mv AT miguelcarreragarrido theatricalityandfantasticelementsinhauntedattractions
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