How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy
The aim of this essay is to enquire about the relationship between body and reason in <em>The birth of the Tragedy</em>. So with that, we begin (1) examining the notion of <em>Trieb</em> in relation with the artistic function that is assigned to Dionisio and Apolo. Then, (2)...
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doaj-5d1b2fa4d6704273901f087de5b9fba82020-11-25T03:37:36ZspaCENALTESHYBRIS: Revista de Filosofía0718-83822014-07-015012914455How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedyTamara Roberta Silva-Proll Dozo0Universidad Complutense de MadridThe aim of this essay is to enquire about the relationship between body and reason in <em>The birth of the Tragedy</em>. So with that, we begin (1) examining the notion of <em>Trieb</em> in relation with the artistic function that is assigned to Dionisio and Apolo. Then, (2) we will approximate to the notion of <em>tragic wisdom</em> from the perspective of the body. To continue, (3) we will deal with the distinction between rationality and instinct, attending to different ways of understanding the reason. Finally, in (4) we ask about the possibility to reach a new balance for the thoughthttp://localhost/revistas/index.php/hybris/article/view/55instintosimpulsoscuerporazónartesabiduría trágica |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Tamara Roberta Silva-Proll Dozo |
spellingShingle |
Tamara Roberta Silva-Proll Dozo How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy HYBRIS: Revista de Filosofía instintos impulsos cuerpo razón arte sabiduría trágica |
author_facet |
Tamara Roberta Silva-Proll Dozo |
author_sort |
Tamara Roberta Silva-Proll Dozo |
title |
How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy |
title_short |
How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy |
title_full |
How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy |
title_fullStr |
How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy |
title_full_unstemmed |
How does the body make itself heard through «reason»? Commentary on the paragraphs 16, 17 and 18 of The birth of tragedy |
title_sort |
how does the body make itself heard through «reason»? commentary on the paragraphs 16, 17 and 18 of the birth of tragedy |
publisher |
CENALTES |
series |
HYBRIS: Revista de Filosofía |
issn |
0718-8382 |
publishDate |
2014-07-01 |
description |
The aim of this essay is to enquire about the relationship between body and reason in <em>The birth of the Tragedy</em>. So with that, we begin (1) examining the notion of <em>Trieb</em> in relation with the artistic function that is assigned to Dionisio and Apolo. Then, (2) we will approximate to the notion of <em>tragic wisdom</em> from the perspective of the body. To continue, (3) we will deal with the distinction between rationality and instinct, attending to different ways of understanding the reason. Finally, in (4) we ask about the possibility to reach a new balance for the thought |
topic |
instintos impulsos cuerpo razón arte sabiduría trágica |
url |
http://localhost/revistas/index.php/hybris/article/view/55 |
work_keys_str_mv |
AT tamararobertasilvaprolldozo howdoesthebodymakeitselfheardthroughreasoncommentaryontheparagraphs1617and18ofthebirthoftragedy |
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