Shapeshifting the Scottish Borders: A Geopoetic Dance of Place

In this paper, I unite dance theory and practice and geopoetics in order to reflect on edges, peripheries and borders in a geographic region, the Scottish Borders, where the dominant cultural narrative is and has historically been based on rivalry. I draw here on the writing of the Scottish poet-phi...

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Main Author: Claire Pençak
Format: Article
Language:English
Published: MDPI AG 2019-08-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/8/3/101
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spelling doaj-5dce45ce556345dc94e8e923d2a282b62020-11-25T01:34:38ZengMDPI AGArts2076-07522019-08-018310110.3390/arts8030101arts8030101Shapeshifting the Scottish Borders: A Geopoetic Dance of PlaceClaire Pençak0Northumbria Law School, Northumbria University, Newcastle upon Tyne NE1 8ST, UKIn this paper, I unite dance theory and practice and geopoetics in order to reflect on edges, peripheries and borders in a geographic region, the Scottish Borders, where the dominant cultural narrative is and has historically been based on rivalry. I draw here on the writing of the Scottish poet-philosopher Kenneth White, the practices of specific dancers and choreographers and on relational accounts of place and more-than-human perspectives. Rather than ‘sense of place’, my interest is in sensing place and thinking through sites. Threaded throughout are descriptions of perception practices exploring woodland, stone and riverways, which take the reader into the more experiential realm of embodied knowing. These passages are an invitation to be present with more-than-human others, to be in contact with the vitality of materials and to allow for being shaped, rather than being the shaping force. The intention is to bring different bodies of knowledge into contact as a way of revealing other vocabularies within place, which suggest alternative cultural narratives and help create the conditions for place—making a more collaborative, ethical and less anthropocentric endeavour, open to the influence and organising principles of the more-than-human.https://www.mdpi.com/2076-0752/8/3/101dancemore-than-humanplacegeopoeticsperception
collection DOAJ
language English
format Article
sources DOAJ
author Claire Pençak
spellingShingle Claire Pençak
Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
Arts
dance
more-than-human
place
geopoetics
perception
author_facet Claire Pençak
author_sort Claire Pençak
title Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
title_short Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
title_full Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
title_fullStr Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
title_full_unstemmed Shapeshifting the Scottish Borders: A Geopoetic Dance of Place
title_sort shapeshifting the scottish borders: a geopoetic dance of place
publisher MDPI AG
series Arts
issn 2076-0752
publishDate 2019-08-01
description In this paper, I unite dance theory and practice and geopoetics in order to reflect on edges, peripheries and borders in a geographic region, the Scottish Borders, where the dominant cultural narrative is and has historically been based on rivalry. I draw here on the writing of the Scottish poet-philosopher Kenneth White, the practices of specific dancers and choreographers and on relational accounts of place and more-than-human perspectives. Rather than ‘sense of place’, my interest is in sensing place and thinking through sites. Threaded throughout are descriptions of perception practices exploring woodland, stone and riverways, which take the reader into the more experiential realm of embodied knowing. These passages are an invitation to be present with more-than-human others, to be in contact with the vitality of materials and to allow for being shaped, rather than being the shaping force. The intention is to bring different bodies of knowledge into contact as a way of revealing other vocabularies within place, which suggest alternative cultural narratives and help create the conditions for place—making a more collaborative, ethical and less anthropocentric endeavour, open to the influence and organising principles of the more-than-human.
topic dance
more-than-human
place
geopoetics
perception
url https://www.mdpi.com/2076-0752/8/3/101
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