“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo
Máirtín Ó Cadhain’s The Dirty Dust (1949, trans. 2015) and George Saunders’s Lincoln in the Bardo (2017) illustrate two very different uses of the literary device of conversations in a cemetery. Ó Cadhain distilled the venom of selfishness and vicious back-biting found in a small rural Irish village...
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doaj-5e1a8645e2974aa79b612cf177bf06d22021-09-06T19:41:27ZengSciendoActa Universitatis Sapientiae: Philologica2391-81792018-10-01101253310.2478/ausp-2018-0002ausp-2018-0002“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the BardoMorse Donald E.0University of Debrecen (Hungary) Institute of English and American StudiesMáirtín Ó Cadhain’s The Dirty Dust (1949, trans. 2015) and George Saunders’s Lincoln in the Bardo (2017) illustrate two very different uses of the literary device of conversations in a cemetery. Ó Cadhain distilled the venom of selfishness and vicious back-biting found in a small rural Irish village then refined it through comedy and satire, while Saunders created a collage of voices by employing a combination of fantastic devices together with fragments of history, newspaper articles and biography to eulogize Abraham Lincoln as grieving parent and to demonstrate that love does indeed transform the world – even the world of the dead.https://doi.org/10.2478/ausp-2018-0002the fantasticirish classiccivil warbardocemetery |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Morse Donald E. |
spellingShingle |
Morse Donald E. “This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo Acta Universitatis Sapientiae: Philologica the fantastic irish classic civil war bardo cemetery |
author_facet |
Morse Donald E. |
author_sort |
Morse Donald E. |
title |
“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo |
title_short |
“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo |
title_full |
“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo |
title_fullStr |
“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo |
title_full_unstemmed |
“This undiscovered country” in Máirtín Ó Cadhain’s Cré na Cille and George Saunders’s Lincoln in the Bardo |
title_sort |
“this undiscovered country” in máirtín ó cadhain’s cré na cille and george saunders’s lincoln in the bardo |
publisher |
Sciendo |
series |
Acta Universitatis Sapientiae: Philologica |
issn |
2391-8179 |
publishDate |
2018-10-01 |
description |
Máirtín Ó Cadhain’s The Dirty Dust (1949, trans. 2015) and George Saunders’s Lincoln in the Bardo (2017) illustrate two very different uses of the literary device of conversations in a cemetery. Ó Cadhain distilled the venom of selfishness and vicious back-biting found in a small rural Irish village then refined it through comedy and satire, while Saunders created a collage of voices by employing a combination of fantastic devices together with fragments of history, newspaper articles and biography to eulogize Abraham Lincoln as grieving parent and to demonstrate that love does indeed transform the world – even the world of the dead. |
topic |
the fantastic irish classic civil war bardo cemetery |
url |
https://doi.org/10.2478/ausp-2018-0002 |
work_keys_str_mv |
AT morsedonalde thisundiscoveredcountryinmairtinocadhainscrenacilleandgeorgesaundersslincolninthebardo |
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1717766219758567424 |