Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha
This article examines two feature films, focusing on the link between Indigenous cinema, environmental preservation and land rights. The first film is Mabo (2012) directed by Aboriginal filmmaker Rachel Perkins. It centres on a man’ legal battle for recognition of Indigenous land’ ownership in Austr...
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Universidade Federal de Santa Catarina
2016-06-01
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doaj-5e35025be9854f5796dc30c19bd446842020-11-25T00:33:40ZengUniversidade Federal de Santa CatarinaIlha do Desterro 0101-48462175-80262016-06-0169215116410.5007/2175-8026.2016v69n2p15125227Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra VermelhaAline Frey0Faculty of Arts and Communication, University of Queensland, AustraliaThis article examines two feature films, focusing on the link between Indigenous cinema, environmental preservation and land rights. The first film is Mabo (2012) directed by Aboriginal filmmaker Rachel Perkins. It centres on a man’ legal battle for recognition of Indigenous land’ ownership in Australia. The second film is Terra Vermelha (Birdwatchers, Marco Bechis, 2008), which centres on the violence endured by a contemporary Brazilian Indigenous group attempting to reclaim their traditional lands occupied by agribusiness barons. Based on comparative analysis of Mabo and Terra Vermelha, this article discusses the similar challenges faced by Indigenous nations in these two countries, especially the colonial dispossession of their ancestral territories and the postcolonial obstacles to reclaim and exercise self-determination over them.https://periodicos.ufsc.br/index.php/desterro/article/view/43272indigenous cinemaland rightsaustralian cinemabrazilian cinema |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Aline Frey |
spellingShingle |
Aline Frey Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha Ilha do Desterro indigenous cinema land rights australian cinema brazilian cinema |
author_facet |
Aline Frey |
author_sort |
Aline Frey |
title |
Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha |
title_short |
Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha |
title_full |
Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha |
title_fullStr |
Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha |
title_full_unstemmed |
Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha |
title_sort |
resisting invasions: indigenous peoples and land rights battles in mabo and terra vermelha |
publisher |
Universidade Federal de Santa Catarina |
series |
Ilha do Desterro |
issn |
0101-4846 2175-8026 |
publishDate |
2016-06-01 |
description |
This article examines two feature films, focusing on the link between Indigenous cinema, environmental preservation and land rights. The first film is Mabo (2012) directed by Aboriginal filmmaker Rachel Perkins. It centres on a man’ legal battle for recognition of Indigenous land’ ownership in Australia. The second film is Terra Vermelha (Birdwatchers, Marco Bechis, 2008), which centres on the violence endured by a contemporary Brazilian Indigenous group attempting to reclaim their traditional lands occupied by agribusiness barons. Based on comparative analysis of Mabo and Terra Vermelha, this article discusses the similar challenges faced by Indigenous nations in these two countries, especially the colonial dispossession of their ancestral territories and the postcolonial obstacles to reclaim and exercise self-determination over them. |
topic |
indigenous cinema land rights australian cinema brazilian cinema |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/43272 |
work_keys_str_mv |
AT alinefrey resistinginvasionsindigenouspeoplesandlandrightsbattlesinmaboandterravermelha |
_version_ |
1725315454081171456 |