La collection extrême-orientale du musée Adrien Dubouché de Limoges
Based on the example of the Musée de la Céramique Adrien Dubouché de Limoges and its collection, the present article attempts to retrace the different meanings attributed to Far Eastern works during their musealisations. To do so, it recontextualises the setting of the collections : from the general...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2015-04-01
|
| Series: | Les Cahiers de l'École du Louvre |
| Online Access: | http://journals.openedition.org/cel/317 |
| id |
doaj-5e369b23680f4445a22fd9f8affcd464 |
|---|---|
| record_format |
Article |
| spelling |
doaj-5e369b23680f4445a22fd9f8affcd4642020-11-24T23:10:04ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2015-04-01610.4000/cel.317La collection extrême-orientale du musée Adrien Dubouché de LimogesPauline d’AbrigeonBased on the example of the Musée de la Céramique Adrien Dubouché de Limoges and its collection, the present article attempts to retrace the different meanings attributed to Far Eastern works during their musealisations. To do so, it recontextualises the setting of the collections : from the general trend of industrial museums, which includes the founding of the Limoges museum, to the museography implemented inside the museum, via the history of the collections. During this process, the Far Eastern artworks were sometimes envisaged as models, sometimes as objects of knowledge.http://journals.openedition.org/cel/317 |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Pauline d’Abrigeon |
| spellingShingle |
Pauline d’Abrigeon La collection extrême-orientale du musée Adrien Dubouché de Limoges Les Cahiers de l'École du Louvre |
| author_facet |
Pauline d’Abrigeon |
| author_sort |
Pauline d’Abrigeon |
| title |
La collection extrême-orientale du musée Adrien Dubouché de Limoges |
| title_short |
La collection extrême-orientale du musée Adrien Dubouché de Limoges |
| title_full |
La collection extrême-orientale du musée Adrien Dubouché de Limoges |
| title_fullStr |
La collection extrême-orientale du musée Adrien Dubouché de Limoges |
| title_full_unstemmed |
La collection extrême-orientale du musée Adrien Dubouché de Limoges |
| title_sort |
la collection extrême-orientale du musée adrien dubouché de limoges |
| publisher |
École du Louvre |
| series |
Les Cahiers de l'École du Louvre |
| issn |
2262-208X |
| publishDate |
2015-04-01 |
| description |
Based on the example of the Musée de la Céramique Adrien Dubouché de Limoges and its collection, the present article attempts to retrace the different meanings attributed to Far Eastern works during their musealisations. To do so, it recontextualises the setting of the collections : from the general trend of industrial museums, which includes the founding of the Limoges museum, to the museography implemented inside the museum, via the history of the collections. During this process, the Far Eastern artworks were sometimes envisaged as models, sometimes as objects of knowledge. |
| url |
http://journals.openedition.org/cel/317 |
| work_keys_str_mv |
AT paulinedabrigeon lacollectionextremeorientaledumuseeadriendubouchedelimoges |
| _version_ |
1725608280106991616 |