Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks

The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or...

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Main Author: Joris Corin Heyder
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2021-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2021/05/heyder-intro.pdf
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spelling doaj-5e9f91bb74f04f79909fac1ec517989b2021-07-04T09:45:37ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522021-06-012424JCH1doi.org/10.48352/uobxjah.00003417Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarksJoris Corin Heyder0Eberhard Karls University TübingenThe introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices. https://arthistoriography.files.wordpress.com/2021/05/heyder-intro.pdfconnoisseurshippracticescomparingjudgingpractice theorymethodology
collection DOAJ
language English
format Article
sources DOAJ
author Joris Corin Heyder
spellingShingle Joris Corin Heyder
Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
Journal of Art Historiography
connoisseurship
practices
comparing
judging
practice theory
methodology
author_facet Joris Corin Heyder
author_sort Joris Corin Heyder
title Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
title_short Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
title_full Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
title_fullStr Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
title_full_unstemmed Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
title_sort doing connoisseurship. yesterday, today, tomorrow. introductory remarks
publisher Department of Art History, University of Birmingham
series Journal of Art Historiography
issn 2042-4752
publishDate 2021-06-01
description The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or a copy, it becomes apparent that connoisseurial practices still play a remarkable role in art historical endeavors. This can be demonstrated with a look at the contributions, which are bringing together and reflecting both historical and current connoisseurial practices.
topic connoisseurship
practices
comparing
judging
practice theory
methodology
url https://arthistoriography.files.wordpress.com/2021/05/heyder-intro.pdf
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