Doing connoisseurship. Yesterday, today, tomorrow. Introductory remarks
The introduction seeks to concretize and expand on crucial connoisseurial practices such as comparing or verbalising. Starting from the three domains of connoisseurship, namely the judgment of an artwork’s quality, the attribution to an artist, and the question whether the art work is an original or...
Main Author: | Joris Corin Heyder |
---|---|
Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2021-06-01
|
Series: | Journal of Art Historiography |
Subjects: | |
Online Access: | https://arthistoriography.files.wordpress.com/2021/05/heyder-intro.pdf |
Similar Items
-
Same, similar, semblable – languages of connoisseurship
by: Joris Corin Heyder
Published: (2017-06-01) -
On Understanding Expertise, Connoisseurship, and Experiential Knowledge in Professional Practice
by: Nithikul Nimkulrat, et al.
Published: (2016-01-01) -
Doctorateness in Design Disciplines. Negotiating Connoisseurship and Criticism in Practice-related Fields
by: Fredrik Nilsson, et al.
Published: (2013-01-01) -
Scholarship & connoisseurship symbiosis in postgraduate design education
by: Yap, BL
Published: (2014) -
Reflections on connoisseurship and computer vision
by: Peter Bell, et al.
Published: (2021-06-01)