The cinema screen leaves the theatre
Last year, the cinematographic exhibition grossed 571 million Euros and congregated more than 94 million spectators. Nowadays, however, this business cannot stay at the edge of the fourth screen’s revolution, that is to say, mobile phones. In a market controlled by two big enterprises, namely Cinesa...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Ediciones Universidad de Salamanca
2016-12-01
|
Series: | Fonseca: Journal of Communication |
Subjects: | |
Online Access: | http://revistas.usal.es/index.php/2172-9077/article/view/15229 |
id |
doaj-5ff9b37a5388432db4aed7d8da0ab8c6 |
---|---|
record_format |
Article |
spelling |
doaj-5ff9b37a5388432db4aed7d8da0ab8c62020-11-25T01:33:44ZengEdiciones Universidad de SalamancaFonseca: Journal of Communication2172-90772016-12-011313556410.14201/fjc201613556413585The cinema screen leaves the theatreDavid VICENTE TORRICO0Universidad de ValladolidLast year, the cinematographic exhibition grossed 571 million Euros and congregated more than 94 million spectators. Nowadays, however, this business cannot stay at the edge of the fourth screen’s revolution, that is to say, mobile phones. In a market controlled by two big enterprises, namely Cinesa and Yelmo, we propose a qualitative study of its digital applications, considering their design, their accessibility and their features, with the goal of verifying their adaptation to this new digital environment. The results will show an emerging opening. Nevertheless, numerous services must be implemented to enhance the spectator’s cinematographic experience.http://revistas.usal.es/index.php/2172-9077/article/view/15229Cuarta pantallaExhibiciónCineAppYelmoCinesa |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
David VICENTE TORRICO |
spellingShingle |
David VICENTE TORRICO The cinema screen leaves the theatre Fonseca: Journal of Communication Cuarta pantalla Exhibición Cine App Yelmo Cinesa |
author_facet |
David VICENTE TORRICO |
author_sort |
David VICENTE TORRICO |
title |
The cinema screen leaves the theatre |
title_short |
The cinema screen leaves the theatre |
title_full |
The cinema screen leaves the theatre |
title_fullStr |
The cinema screen leaves the theatre |
title_full_unstemmed |
The cinema screen leaves the theatre |
title_sort |
cinema screen leaves the theatre |
publisher |
Ediciones Universidad de Salamanca |
series |
Fonseca: Journal of Communication |
issn |
2172-9077 |
publishDate |
2016-12-01 |
description |
Last year, the cinematographic exhibition grossed 571 million Euros and congregated more than 94 million spectators. Nowadays, however, this business cannot stay at the edge of the fourth screen’s revolution, that is to say, mobile phones. In a market controlled by two big enterprises, namely Cinesa and Yelmo, we propose a qualitative study of its digital applications, considering their design, their accessibility and their features, with the goal of verifying their adaptation to this new digital environment. The results will show an emerging opening. Nevertheless, numerous services must be implemented to enhance the spectator’s cinematographic experience. |
topic |
Cuarta pantalla Exhibición Cine App Yelmo Cinesa |
url |
http://revistas.usal.es/index.php/2172-9077/article/view/15229 |
work_keys_str_mv |
AT davidvicentetorrico thecinemascreenleavesthetheatre AT davidvicentetorrico cinemascreenleavesthetheatre |
_version_ |
1725076039160299520 |