Entre la tradición y la vanguardia, un análisis del documental Antonio Gaudí (1984): Teshigahara Hiroshi y Takemitsu Tōru
La presente investigación se centra en el análisis audiovisual de la obra cinematográfica documental Antonio Gaudí (1984), dirigida por el cineasta japonés Teshigahara Hiroshi (Tokyo, 28 de enero de 1927 - Tokyo, 14 de abril de 2001). Esta película permite profundizar en la rica relación artística...
Main Author: | Griselda Vilar Sastre |
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Format: | Article |
Language: | Spanish |
Published: |
Universidad Complutense de Madrid
2021-06-01
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Series: | Mirai |
Subjects: | |
Online Access: | https://revistas.ucm.es/index.php/MIRA/article/view/74362 |
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