Mel as Hyperobject

Mel as Hyperobject

Through the words of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World (2013), the adapted practice of distant reading, the lens of current neuroscience, and the flavor of non-philosophy, artist Mel Keiser transmutes a text about object oriented ontology and ecological...

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Bibliographic Details
Main Author: Mel Keiser
Format: Article
Language:English
Published: Performance Philosophy 2018-08-01
Series:Performance Philosophy
Subjects:
practice-as-research
arts-based research
visual art
identity
systems theory
distant reading
ficto-criticism
studio practice
doing/thinking
non-philosophy
becoming
experimental literature
Online Access:http://www.performancephilosophy.org/journal/article/view/195
Description
Summary:Through the words of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World (2013), the adapted practice of distant reading, the lens of current neuroscience, and the flavor of non-philosophy, artist Mel Keiser transmutes a text about object oriented ontology and ecological philosophy into a piece that describes what it is to be an identity becoming.
ISSN:2057-7176

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