Worstelen met gender en de biografie: een themarecensie

Wrestling with Gender and Biography: A Thematic Review In her ‘very short introduction’ to biography of 2009, Hermione Lee notices that although much has been said and done about gender and biography, ‘the challenge remains how best to tell the stories of the increasing number of women in the public...

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Main Author: Mineke Bosch
Format: Article
Language:English
Published: Open Journals 2012-10-01
Series:BMGN: Low Countries Historical Review
Subjects:
Online Access:https://bmgn-lchr.nl/article/view/5965
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spelling doaj-663e364a2e3d43118c0be4e34e7381af2021-10-02T18:13:40ZengOpen JournalsBMGN: Low Countries Historical Review0165-05052211-28982012-10-011273Worstelen met gender en de biografie: een themarecensieMineke Bosch0Royal Netherlands Historical Society (reviews)Wrestling with Gender and Biography: A Thematic Review In her ‘very short introduction’ to biography of 2009, Hermione Lee notices that although much has been said and done about gender and biography, ‘the challenge remains how best to tell the stories of the increasing number of women in the public sphere [...]’. In this review essay Mineke Bosch tries to answer this question by analysing two recent biographies of professional women: the first minister of state in the Netherlands, Marga Klompé, by Gerard Mostert, and sociologist and politician Hilda Verwey-Jonker by Margit van der Steen. Comparing the two, Bosch states that Mostert repeats old truths and stereotypes about successful women in the public sphere with his conclusion that Klompé was a meddler and a fiercely dominant busybody, and that precisely these character traits made it possible for her to capitalise on her ambitions and become one of the boys. Margit van der Steen shows a more subtle understanding of gender as an analytical category. She shows how Hilda Verwey-Jonker wrestled with being a woman in a man’s world, changing her (gender) performance several times in parallel with her social and professional context. Both biographies, however, could have profited more from recent biographical theory in which the emphasis is more on ‘doing identities’ than ‘being one/self’.https://bmgn-lchr.nl/article/view/5965GenderEmancipationBiographyWomenHilda Verwey-JonkerMarga Klompé
collection DOAJ
language English
format Article
sources DOAJ
author Mineke Bosch
spellingShingle Mineke Bosch
Worstelen met gender en de biografie: een themarecensie
BMGN: Low Countries Historical Review
Gender
Emancipation
Biography
Women
Hilda Verwey-Jonker
Marga Klompé
author_facet Mineke Bosch
author_sort Mineke Bosch
title Worstelen met gender en de biografie: een themarecensie
title_short Worstelen met gender en de biografie: een themarecensie
title_full Worstelen met gender en de biografie: een themarecensie
title_fullStr Worstelen met gender en de biografie: een themarecensie
title_full_unstemmed Worstelen met gender en de biografie: een themarecensie
title_sort worstelen met gender en de biografie: een themarecensie
publisher Open Journals
series BMGN: Low Countries Historical Review
issn 0165-0505
2211-2898
publishDate 2012-10-01
description Wrestling with Gender and Biography: A Thematic Review In her ‘very short introduction’ to biography of 2009, Hermione Lee notices that although much has been said and done about gender and biography, ‘the challenge remains how best to tell the stories of the increasing number of women in the public sphere [...]’. In this review essay Mineke Bosch tries to answer this question by analysing two recent biographies of professional women: the first minister of state in the Netherlands, Marga Klompé, by Gerard Mostert, and sociologist and politician Hilda Verwey-Jonker by Margit van der Steen. Comparing the two, Bosch states that Mostert repeats old truths and stereotypes about successful women in the public sphere with his conclusion that Klompé was a meddler and a fiercely dominant busybody, and that precisely these character traits made it possible for her to capitalise on her ambitions and become one of the boys. Margit van der Steen shows a more subtle understanding of gender as an analytical category. She shows how Hilda Verwey-Jonker wrestled with being a woman in a man’s world, changing her (gender) performance several times in parallel with her social and professional context. Both biographies, however, could have profited more from recent biographical theory in which the emphasis is more on ‘doing identities’ than ‘being one/self’.
topic Gender
Emancipation
Biography
Women
Hilda Verwey-Jonker
Marga Klompé
url https://bmgn-lchr.nl/article/view/5965
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