Nature Images in Novel by G. de Stael “Corinna, or Italy”

The artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative st...

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Main Author: T. V. Nuzhnaya
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2017-02-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/306
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spelling doaj-6667100efb02481aa5ecf66e4306d2d82021-09-30T08:36:29ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952017-02-010211512610.24224/2227-1295-2017-2-115-126302Nature Images in Novel by G. de Stael “Corinna, or Italy”T. V. Nuzhnaya0Russian State Hydrometeorological UniversityThe artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative study of peoples in the context of the rapid development of intercultural communication. It is shown that nature as a whole as “the phenomenon of the poetic image” is of great interest from the point of view of analysis of its impact on the character and emotional state of the characters of the novel. Not less important role plays the analysis of specific natural images of Sun, Moon, Earth, Mountains, Water and Fire that are the deepest archetypes, rooted in the collective unconscious. The author comes to the conclusion that these archaic concepts are reinterpreted by the writer under the influence on the formation of national identity, character and habits of the individual, therefore, it becomes possible for the reader to understand the national mentality through the natural archetypes of the novel. It is shown that in the novel the author creates a verbal-based acceptance of “collateral characteristic of mood,” which will then be actively used in the cinema. It is noted that the functions of the landscape in the novel by the French writer would later become the example for the following generations of authors in the description of the southern Italian landscape.https://www.nauka-dialog.ru/jour/article/view/306french literatureromanticismg. de staelnational characterlandscape space
collection DOAJ
language Russian
format Article
sources DOAJ
author T. V. Nuzhnaya
spellingShingle T. V. Nuzhnaya
Nature Images in Novel by G. de Stael “Corinna, or Italy”
Научный диалог
french literature
romanticism
g. de stael
national character
landscape space
author_facet T. V. Nuzhnaya
author_sort T. V. Nuzhnaya
title Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_short Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_full Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_fullStr Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_full_unstemmed Nature Images in Novel by G. de Stael “Corinna, or Italy”
title_sort nature images in novel by g. de stael “corinna, or italy”
publisher Tsentr nauchnykh i obrazovatelnykh proektov
series Научный диалог
issn 2225-756X
2227-1295
publishDate 2017-02-01
description The artistic relationships of landscape space and national character in the novel by a French writer of the 19th century G. de Stael are examined. The research urgency is caused by the interest of representatives of different areas of the humanities, including literary critics, to the comparative study of peoples in the context of the rapid development of intercultural communication. It is shown that nature as a whole as “the phenomenon of the poetic image” is of great interest from the point of view of analysis of its impact on the character and emotional state of the characters of the novel. Not less important role plays the analysis of specific natural images of Sun, Moon, Earth, Mountains, Water and Fire that are the deepest archetypes, rooted in the collective unconscious. The author comes to the conclusion that these archaic concepts are reinterpreted by the writer under the influence on the formation of national identity, character and habits of the individual, therefore, it becomes possible for the reader to understand the national mentality through the natural archetypes of the novel. It is shown that in the novel the author creates a verbal-based acceptance of “collateral characteristic of mood,” which will then be actively used in the cinema. It is noted that the functions of the landscape in the novel by the French writer would later become the example for the following generations of authors in the description of the southern Italian landscape.
topic french literature
romanticism
g. de stael
national character
landscape space
url https://www.nauka-dialog.ru/jour/article/view/306
work_keys_str_mv AT tvnuzhnaya natureimagesinnovelbygdestaelcorinnaoritaly
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