From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture

There are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) appro...

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Main Author: George Jennings
Format: Article
Language:English
Published: MDPI AG 2018-08-01
Series:Societies
Subjects:
Online Access:http://www.mdpi.com/2075-4698/8/3/66
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spelling doaj-6814a6882e7c40c98f78d9794116d3142020-11-25T00:40:39ZengMDPI AGSocieties2075-46982018-08-01836610.3390/soc8030066soc8030066From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body CultureGeorge Jennings0Cardiff School of Sport and Health Sciences, Cardiff Metropolitan University, Cardiff CF23 6XD, UKThere are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) approach via the Mexican martial art, exercise, and human development philosophy—Xilam. Situating Xilam within its historical and political context and within a triad of Mesoamerican, native, and modern martial arts, combat sports, and other physical cultures, I map this complexity through Eichberg’s triadic model of achievement, fitness, and experience sports. I then focus my analysis on the aspects of movement in space as seen in my ethnographic fieldwork in one branch of the Xilam school. Using a bare studio as the setting and my body as principle instrument, I provide an impressionist portrait of what it is like to train in Xilam within a communal dance hall (space) and typical class session of two hours (time) and to form and express warrior identity from it. This article displays the techniques; gestures and bodily symbols that encapsulate the essence of the Xilam body culture, calling for a way to theorise from not just from and on the body but also across body cultures.http://www.mdpi.com/2075-4698/8/3/66body culturescomparative analysisEichbergethnographygamesmartial artsMexicophysical culturespacetheory
collection DOAJ
language English
format Article
sources DOAJ
author George Jennings
spellingShingle George Jennings
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
Societies
body cultures
comparative analysis
Eichberg
ethnography
games
martial arts
Mexico
physical culture
space
theory
author_facet George Jennings
author_sort George Jennings
title From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
title_short From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
title_full From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
title_fullStr From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
title_full_unstemmed From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
title_sort from the calendar to the flesh: movement, space, and identity in a mexican body culture
publisher MDPI AG
series Societies
issn 2075-4698
publishDate 2018-08-01
description There are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) approach via the Mexican martial art, exercise, and human development philosophy—Xilam. Situating Xilam within its historical and political context and within a triad of Mesoamerican, native, and modern martial arts, combat sports, and other physical cultures, I map this complexity through Eichberg’s triadic model of achievement, fitness, and experience sports. I then focus my analysis on the aspects of movement in space as seen in my ethnographic fieldwork in one branch of the Xilam school. Using a bare studio as the setting and my body as principle instrument, I provide an impressionist portrait of what it is like to train in Xilam within a communal dance hall (space) and typical class session of two hours (time) and to form and express warrior identity from it. This article displays the techniques; gestures and bodily symbols that encapsulate the essence of the Xilam body culture, calling for a way to theorise from not just from and on the body but also across body cultures.
topic body cultures
comparative analysis
Eichberg
ethnography
games
martial arts
Mexico
physical culture
space
theory
url http://www.mdpi.com/2075-4698/8/3/66
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