From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture
There are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) appro...
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doaj-6814a6882e7c40c98f78d9794116d3142020-11-25T00:40:39ZengMDPI AGSocieties2075-46982018-08-01836610.3390/soc8030066soc8030066From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body CultureGeorge Jennings0Cardiff School of Sport and Health Sciences, Cardiff Metropolitan University, Cardiff CF23 6XD, UKThere are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) approach via the Mexican martial art, exercise, and human development philosophy—Xilam. Situating Xilam within its historical and political context and within a triad of Mesoamerican, native, and modern martial arts, combat sports, and other physical cultures, I map this complexity through Eichberg’s triadic model of achievement, fitness, and experience sports. I then focus my analysis on the aspects of movement in space as seen in my ethnographic fieldwork in one branch of the Xilam school. Using a bare studio as the setting and my body as principle instrument, I provide an impressionist portrait of what it is like to train in Xilam within a communal dance hall (space) and typical class session of two hours (time) and to form and express warrior identity from it. This article displays the techniques; gestures and bodily symbols that encapsulate the essence of the Xilam body culture, calling for a way to theorise from not just from and on the body but also across body cultures.http://www.mdpi.com/2075-4698/8/3/66body culturescomparative analysisEichbergethnographygamesmartial artsMexicophysical culturespacetheory |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
George Jennings |
spellingShingle |
George Jennings From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture Societies body cultures comparative analysis Eichberg ethnography games martial arts Mexico physical culture space theory |
author_facet |
George Jennings |
author_sort |
George Jennings |
title |
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture |
title_short |
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture |
title_full |
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture |
title_fullStr |
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture |
title_full_unstemmed |
From the Calendar to the Flesh: Movement, Space, and Identity in a Mexican Body Culture |
title_sort |
from the calendar to the flesh: movement, space, and identity in a mexican body culture |
publisher |
MDPI AG |
series |
Societies |
issn |
2075-4698 |
publishDate |
2018-08-01 |
description |
There are numerous ways to theorise about elements of civilisations and societies known as ‘body’, ‘movement’, or ‘physical’ cultures. Inspired by the late Henning Eichberg’s notions of multiple and continually shifting body cultures, this article explores his constant comparative (trialectic) approach via the Mexican martial art, exercise, and human development philosophy—Xilam. Situating Xilam within its historical and political context and within a triad of Mesoamerican, native, and modern martial arts, combat sports, and other physical cultures, I map this complexity through Eichberg’s triadic model of achievement, fitness, and experience sports. I then focus my analysis on the aspects of movement in space as seen in my ethnographic fieldwork in one branch of the Xilam school. Using a bare studio as the setting and my body as principle instrument, I provide an impressionist portrait of what it is like to train in Xilam within a communal dance hall (space) and typical class session of two hours (time) and to form and express warrior identity from it. This article displays the techniques; gestures and bodily symbols that encapsulate the essence of the Xilam body culture, calling for a way to theorise from not just from and on the body but also across body cultures. |
topic |
body cultures comparative analysis Eichberg ethnography games martial arts Mexico physical culture space theory |
url |
http://www.mdpi.com/2075-4698/8/3/66 |
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