When is the now in the here and there? Trans-diegetic music in Hal Ashby’s Coming Home
While it would be a stretch to classify Hal Ashby as a postmodernist filmmaker (with that term’s many attendant ambiguities), his films of the 1970s regularly evince post-Classical stylistic and narrative strategies, including non-linear time structures, inter-textual self-references, open endings,...
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| Format: | Article |
| Language: | English |
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University College Cork
2012-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue 3/HTML/ArticleHunter.html |