Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
The current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A...
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doaj-68543f9ff24a4a5fb6680d1182fce8942020-11-24T21:27:53ZengFrontiers Media S.A.Frontiers in Psychology1664-10782015-08-01610.3389/fpsyg.2015.01252154078Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous TastePaul eElvers0Diana eOmigie1Wolfgang eFuhrmann2Timo eFischinger3Max Planck Institute for Empirical AestheticsMax Planck Institute for Empirical AestheticsUniversity of ViennaMax Planck Institute for Empirical AestheticsThe current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A hierarchical cluster analysis then grouped all participants, regardless of their status, according to their similarity on these dimensions. The employed exploratory approach was expected to reveal potential differences between musicology students and controls. A three-cluster solution was obtained. Comparisons of the clusters in terms of musical taste revealed differences in the listening frequency and variety of appreciated music styles: The first cluster (51% musicology students / 27% controls) showed the greatest musical engagement across all dimensions although with a tendency towards »sophisticated« musical styles. The second cluster (36% musicology students / 46% controls) exhibited an interest in »conventional« music, while the third cluster (13% musicology students / 27% controls) showed a strong liking of rock music. The results provide some support for the notion of specific tendencies in the musical taste of musicology students and the contribution of familiarity and knowledge towards musical omnivorousness.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01252/fullMusicPersonalityFamiliarityExposuremusical preferencesmusical taste |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Paul eElvers Diana eOmigie Wolfgang eFuhrmann Timo eFischinger |
spellingShingle |
Paul eElvers Diana eOmigie Wolfgang eFuhrmann Timo eFischinger Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste Frontiers in Psychology Music Personality Familiarity Exposure musical preferences musical taste |
author_facet |
Paul eElvers Diana eOmigie Wolfgang eFuhrmann Timo eFischinger |
author_sort |
Paul eElvers |
title |
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste |
title_short |
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste |
title_full |
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste |
title_fullStr |
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste |
title_full_unstemmed |
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste |
title_sort |
exploring the musical taste of expert listeners: musicology students reveal tendency towards omnivorous taste |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2015-08-01 |
description |
The current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A hierarchical cluster analysis then grouped all participants, regardless of their status, according to their similarity on these dimensions. The employed exploratory approach was expected to reveal potential differences between musicology students and controls. A three-cluster solution was obtained. Comparisons of the clusters in terms of musical taste revealed differences in the listening frequency and variety of appreciated music styles: The first cluster (51% musicology students / 27% controls) showed the greatest musical engagement across all dimensions although with a tendency towards »sophisticated« musical styles. The second cluster (36% musicology students / 46% controls) exhibited an interest in »conventional« music, while the third cluster (13% musicology students / 27% controls) showed a strong liking of rock music. The results provide some support for the notion of specific tendencies in the musical taste of musicology students and the contribution of familiarity and knowledge towards musical omnivorousness. |
topic |
Music Personality Familiarity Exposure musical preferences musical taste |
url |
http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01252/full |
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