Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste

The current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A...

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Main Authors: Paul eElvers, Diana eOmigie, Wolfgang eFuhrmann, Timo eFischinger
Format: Article
Language:English
Published: Frontiers Media S.A. 2015-08-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01252/full
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spelling doaj-68543f9ff24a4a5fb6680d1182fce8942020-11-24T21:27:53ZengFrontiers Media S.A.Frontiers in Psychology1664-10782015-08-01610.3389/fpsyg.2015.01252154078Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous TastePaul eElvers0Diana eOmigie1Wolfgang eFuhrmann2Timo eFischinger3Max Planck Institute for Empirical AestheticsMax Planck Institute for Empirical AestheticsUniversity of ViennaMax Planck Institute for Empirical AestheticsThe current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A hierarchical cluster analysis then grouped all participants, regardless of their status, according to their similarity on these dimensions. The employed exploratory approach was expected to reveal potential differences between musicology students and controls. A three-cluster solution was obtained. Comparisons of the clusters in terms of musical taste revealed differences in the listening frequency and variety of appreciated music styles: The first cluster (51% musicology students / 27% controls) showed the greatest musical engagement across all dimensions although with a tendency towards »sophisticated« musical styles. The second cluster (36% musicology students / 46% controls) exhibited an interest in »conventional« music, while the third cluster (13% musicology students / 27% controls) showed a strong liking of rock music. The results provide some support for the notion of specific tendencies in the musical taste of musicology students and the contribution of familiarity and knowledge towards musical omnivorousness.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01252/fullMusicPersonalityFamiliarityExposuremusical preferencesmusical taste
collection DOAJ
language English
format Article
sources DOAJ
author Paul eElvers
Diana eOmigie
Wolfgang eFuhrmann
Timo eFischinger
spellingShingle Paul eElvers
Diana eOmigie
Wolfgang eFuhrmann
Timo eFischinger
Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
Frontiers in Psychology
Music
Personality
Familiarity
Exposure
musical preferences
musical taste
author_facet Paul eElvers
Diana eOmigie
Wolfgang eFuhrmann
Timo eFischinger
author_sort Paul eElvers
title Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
title_short Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
title_full Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
title_fullStr Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
title_full_unstemmed Exploring the Musical Taste of Expert Listeners: Musicology Students reveal Tendency towards Omnivorous Taste
title_sort exploring the musical taste of expert listeners: musicology students reveal tendency towards omnivorous taste
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2015-08-01
description The current study examined the musical taste of musicology students as compared to a control student group. Participants (n=1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A hierarchical cluster analysis then grouped all participants, regardless of their status, according to their similarity on these dimensions. The employed exploratory approach was expected to reveal potential differences between musicology students and controls. A three-cluster solution was obtained. Comparisons of the clusters in terms of musical taste revealed differences in the listening frequency and variety of appreciated music styles: The first cluster (51% musicology students / 27% controls) showed the greatest musical engagement across all dimensions although with a tendency towards »sophisticated« musical styles. The second cluster (36% musicology students / 46% controls) exhibited an interest in »conventional« music, while the third cluster (13% musicology students / 27% controls) showed a strong liking of rock music. The results provide some support for the notion of specific tendencies in the musical taste of musicology students and the contribution of familiarity and knowledge towards musical omnivorousness.
topic Music
Personality
Familiarity
Exposure
musical preferences
musical taste
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.01252/full
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