Illusion de surface : percevoir la « peau » d’une sculpture
In the eighteenth century, sculptors such as Antonio Canova often experimented with polychromy, using wax or grind water to subtly tint their figures’ flesh. In this article, I examine viewers’ discomfort with these surface treatments. I argue that viewers reacted negatively to the colored surface o...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2017-01-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/3902 |