The Witch in the Lab Coat: Deviant Pathways in Science

Witches gain access to protected spaces through deviant pathways, twisted beings that they are. Are they twisted to begin with, or do they become distorted through necessity for such navigational means? This text examines historic underpinnings and contemporary responses to convoluted institutional...

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Bibliographic Details
Main Author: WhiteFeather Hunter
Format: Article
Language:English
Published: University of Western Australia 2021-08-01
Series:Limina: A Journal of Historical and Cultural Studies
Subjects:
art
Online Access:https://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0008/3660452/Limina_Vol26-2-A02_Hunter_The-Witch-in-the-Lab-Coat.pdf
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spelling doaj-695bd44bf56d43b7bda23d3f5cf03abe2021-08-05T23:45:23ZengUniversity of Western AustraliaLimina: A Journal of Historical and Cultural Studies1833-34192021-08-012621429The Witch in the Lab Coat: Deviant Pathways in ScienceWhiteFeather Hunter0https://orcid.org/0000-0002-2170-3261SymbioticA, The University of Western Australia Witches gain access to protected spaces through deviant pathways, twisted beings that they are. Are they twisted to begin with, or do they become distorted through necessity for such navigational means? This text examines historic underpinnings and contemporary responses to convoluted institutional restrictions around science technologies concerned with the body – embedded structures reinforced by capitalist modes of knowledge specialization and social classism. Such structural hegemony can stymy transdisciplinary, collaborative research and disenfranchise autonomous practitioners. Drawing on works of feminist scholars and witchcraft historiographers, this text shows how European capitalism/ colonialism wrought what has become a prominent witchy identity: artists who deliberately bend technologies towards counterhegemonic ends, revelling in the shapeshifting ‘witch’ as a natural fit for propagating unrestricted access to high-tech manipulations of biological systems. Concepts of deviance are examined as social triggers that instigate feminist revolt through ‘reclaimed’ witchcraft actions, towards socially reconstructive modes of knowledge and culture production.https://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0008/3660452/Limina_Vol26-2-A02_Hunter_The-Witch-in-the-Lab-Coat.pdffeministdeviancewitchcraftcapitalismsciencetechnologyindustryarttechnofeminismecology
collection DOAJ
language English
format Article
sources DOAJ
author WhiteFeather Hunter
spellingShingle WhiteFeather Hunter
The Witch in the Lab Coat: Deviant Pathways in Science
Limina: A Journal of Historical and Cultural Studies
feminist
deviance
witchcraft
capitalism
science
technology
industry
art
technofeminism
ecology
author_facet WhiteFeather Hunter
author_sort WhiteFeather Hunter
title The Witch in the Lab Coat: Deviant Pathways in Science
title_short The Witch in the Lab Coat: Deviant Pathways in Science
title_full The Witch in the Lab Coat: Deviant Pathways in Science
title_fullStr The Witch in the Lab Coat: Deviant Pathways in Science
title_full_unstemmed The Witch in the Lab Coat: Deviant Pathways in Science
title_sort witch in the lab coat: deviant pathways in science
publisher University of Western Australia
series Limina: A Journal of Historical and Cultural Studies
issn 1833-3419
publishDate 2021-08-01
description Witches gain access to protected spaces through deviant pathways, twisted beings that they are. Are they twisted to begin with, or do they become distorted through necessity for such navigational means? This text examines historic underpinnings and contemporary responses to convoluted institutional restrictions around science technologies concerned with the body – embedded structures reinforced by capitalist modes of knowledge specialization and social classism. Such structural hegemony can stymy transdisciplinary, collaborative research and disenfranchise autonomous practitioners. Drawing on works of feminist scholars and witchcraft historiographers, this text shows how European capitalism/ colonialism wrought what has become a prominent witchy identity: artists who deliberately bend technologies towards counterhegemonic ends, revelling in the shapeshifting ‘witch’ as a natural fit for propagating unrestricted access to high-tech manipulations of biological systems. Concepts of deviance are examined as social triggers that instigate feminist revolt through ‘reclaimed’ witchcraft actions, towards socially reconstructive modes of knowledge and culture production.
topic feminist
deviance
witchcraft
capitalism
science
technology
industry
art
technofeminism
ecology
url https://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0008/3660452/Limina_Vol26-2-A02_Hunter_The-Witch-in-the-Lab-Coat.pdf
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