On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević

On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević

The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josi...

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Main Author: Katarina Tomašević
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2016-06-01
Series:Muzikološki Zbornik
Subjects:
Béla Bartók
Josip Slavenski
Marko Tajčević
musical modernism
the Balkans
Online Access:https://193.2.70.196/MuzikoloskiZbornik/article/view/6655
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spelling doaj-69a30e99cf5140f4b1059b687aecec3f2021-03-02T01:51:53ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422016-06-0152110.4312/mz.52.1.27-40On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko TajčevićKatarina Tomašević0Institute of Musicology of the Serbian Academy of Sciences and Arts, BelgradeThe main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism. https://193.2.70.196/MuzikoloskiZbornik/article/view/6655Béla BartókJosip SlavenskiMarko Tajčevićmusical modernismthe Balkans
collection DOAJ
language deu
format Article
sources DOAJ
author Katarina Tomašević
spellingShingle Katarina Tomašević
On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
Muzikološki Zbornik
Béla Bartók
Josip Slavenski
Marko Tajčević
musical modernism
the Balkans
author_facet Katarina Tomašević
author_sort Katarina Tomašević
title On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
title_short On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
title_full On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
title_fullStr On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
title_full_unstemmed On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
title_sort on the paths of béla bartók’s modernism followers and companions: josip slavenski and marko tajčević
publisher Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
series Muzikološki Zbornik
issn 0580-373X
2350-4242
publishDate 2016-06-01
description The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.
topic Béla Bartók
Josip Slavenski
Marko Tajčević
musical modernism
the Balkans
url https://193.2.70.196/MuzikoloskiZbornik/article/view/6655
work_keys_str_mv AT katarinatomasevic onthepathsofbelabartoksmodernismfollowersandcompanionsjosipslavenskiandmarkotajcevic
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