Music in Dementia Care: Increased Understanding Through Mixed Research Methods

Over the past decade there has been an increased interest in the wide variety of issues involved in the care of individuals with dementia. One particular area of research is the effect of music on those with dementia, commonly studied through the perspectives of neuroscience and (the more applied) m...

Full description

Bibliographic Details
Main Author: Mariko Hara
Format: Article
Language:English
Published: University of Exeter 2011-01-01
Series:Music and Arts in Action
Subjects:
Online Access:http://musicandartsinaction.net/index.php/maia/article/view/musicanddementia
id doaj-6e7b2b55d02948ae9b511bbe10467f5b
record_format Article
spelling doaj-6e7b2b55d02948ae9b511bbe10467f5b2020-11-24T23:22:54ZengUniversity of ExeterMusic and Arts in Action1754-71052011-01-01323458Music in Dementia Care: Increased Understanding Through Mixed Research MethodsMariko HaraOver the past decade there has been an increased interest in the wide variety of issues involved in the care of individuals with dementia. One particular area of research is the effect of music on those with dementia, commonly studied through the perspectives of neuroscience and (the more applied) music therapy. There is, however, a black box common to both these fields: music is seen as an input and its effect as a simple output. In treating the human (brain) as merely an object to stimulate with music or sound, the socio-cultural context of musical interaction is omitted from the analysis. This article discusses the employment of mixed research methods adapted specifically to explore the use of music in dementia care and to open this black box. In particular, this article explores the use of ethnographic participant observations and semi-structured interviews with individuals with dementia, their families/carers and (volunteer) staff of Singing for the Brain (SFTB) in a British town. The article concludes with a discussion of the preliminary themes generated by this mixed-methods approach (such as the importance of ‘relationships’), and the importance of examining music as a ‘catalyst’ in building relationships. Although the issues examined in this article are specific to dementia, similar sensitive issues may be found in research on health and other creative (therapeutic) activities for people with dementia. http://musicandartsinaction.net/index.php/maia/article/view/musicanddementiamusiccaredementiaethnographic researchnetworkcommunity
collection DOAJ
language English
format Article
sources DOAJ
author Mariko Hara
spellingShingle Mariko Hara
Music in Dementia Care: Increased Understanding Through Mixed Research Methods
Music and Arts in Action
music
care
dementia
ethnographic research
network
community
author_facet Mariko Hara
author_sort Mariko Hara
title Music in Dementia Care: Increased Understanding Through Mixed Research Methods
title_short Music in Dementia Care: Increased Understanding Through Mixed Research Methods
title_full Music in Dementia Care: Increased Understanding Through Mixed Research Methods
title_fullStr Music in Dementia Care: Increased Understanding Through Mixed Research Methods
title_full_unstemmed Music in Dementia Care: Increased Understanding Through Mixed Research Methods
title_sort music in dementia care: increased understanding through mixed research methods
publisher University of Exeter
series Music and Arts in Action
issn 1754-7105
publishDate 2011-01-01
description Over the past decade there has been an increased interest in the wide variety of issues involved in the care of individuals with dementia. One particular area of research is the effect of music on those with dementia, commonly studied through the perspectives of neuroscience and (the more applied) music therapy. There is, however, a black box common to both these fields: music is seen as an input and its effect as a simple output. In treating the human (brain) as merely an object to stimulate with music or sound, the socio-cultural context of musical interaction is omitted from the analysis. This article discusses the employment of mixed research methods adapted specifically to explore the use of music in dementia care and to open this black box. In particular, this article explores the use of ethnographic participant observations and semi-structured interviews with individuals with dementia, their families/carers and (volunteer) staff of Singing for the Brain (SFTB) in a British town. The article concludes with a discussion of the preliminary themes generated by this mixed-methods approach (such as the importance of ‘relationships’), and the importance of examining music as a ‘catalyst’ in building relationships. Although the issues examined in this article are specific to dementia, similar sensitive issues may be found in research on health and other creative (therapeutic) activities for people with dementia.
topic music
care
dementia
ethnographic research
network
community
url http://musicandartsinaction.net/index.php/maia/article/view/musicanddementia
work_keys_str_mv AT marikohara musicindementiacareincreasedunderstandingthroughmixedresearchmethods
_version_ 1725566272452689920