| Summary: | One of the most important developments in Hinduism in the Common Era has been the rise of devotionalism or <i>bhakti</i>. Though theologians and others have contributed to this development, the primary motive force behind it has been poets, who have composed songs celebrating their love for God, and sometimes lamenting their distance from Her. From early in their history, <i>bhakti</i> traditions have praised not only the various gods, but also the devotional poets as well. And so hagiographies have been written about the lives of those exceptional devotees. It could be argued that we find the religious experience of these devotees in their own compositions and in these hagiographies. This article will raise questions about the reliability of our access to the poets’ religious experience through these sources, taking as a test case the seventeenth century devotional poet Tukaram and the hagiographer Mahipati. Tukaram is a particularly apt case for a study of devotional poetry and hagiography as the means to access the religious experience of a Hindu saint, since scholars have argued that his works are unusual in the degree to which he reflects on his own life. We will see why, for reasons of textual history, and for more theoretical reasons, the experience of saints such as Tukaram must remain elusive.
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