Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth
All good ghost stories strike us as immediately familiar. As Shakespeare’s heirs, we know the story well, but from where? Is that Macbeth we see before us, his hand on Duncan’s door? Or do we spy on Brutus, reading a cryptic message in his balmy Mediterranean orchard? ‘Speak, strike, redress.’ The l...
Main Author: | Lizz Angelo |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Edinburgh
2008-12-01
|
Series: | Forum |
Online Access: | http://www.forumjournal.org/article/view/608 |
Similar Items
-
“Ere She with Blood had Stained her Stained Excuse”: Graphic Stains in Shakespeare’s The Rape of Lucrece and Middleton’s The Ghost of Lucrece
by: Harvey Wiltshire
Published: (2018-09-01) -
An examination of Shakespeare's use of proverb idiom in four plays : Henry 4, part 1, As You Like It, Julius Caesar, Macbeth
by: Orkin, M. R.
Published: (1980) -
Constructing Caesar: Julius Caesar’s Caesar and the creation of the myth of Caesar in history and space
by: Potter, Bradley G.
Published: (2004) -
Central women characters and their influence in Shakespeare, with particular reference to the Merchant of Venice, Macbeth, Julius Caesar and Antony and Cleopatra
by: Mngomezulu, Thulisile Fortunate
Published: (2012) -
Julius Caesar and the Art of Rhetoric
by: Naphtali Rivkin
Published: (2014-07-01)