Representación y comprensión de la fotografia: uma epistemologia Del mundo de Cartier-Bresson
The article aims to conceptualize both representation and understanding in photography, an activity whose main goal consist in elucidating the process through which the photographic image is constructed on a partial isomorphism relationship, as well as in enabling to understand a meaningful message....
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2016-05-01
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| Series: | Principia: An International Journal of Epistemology |
| Subjects: | |
| Online Access: | https://periodicos.ufsc.br/index.php/principia/article/view/42913 |
| Summary: | The article aims to conceptualize both representation and understanding in photography, an activity whose main goal consist in elucidating the process through which the photographic image is constructed on a partial isomorphism relationship, as well as in enabling to understand a meaningful message. We appeal to Nelson Goodman’s account, according to which such a construction is based on data provided by the image, on the one hand, and by viewer’s knowledge, on the other. Given that those sources give viewer a new knowledge about the world and that the inferential processes depend upon a general theory of symbols, we both show and account for the inferential procedure that raises from the photographic ‘information’ in several case-studies taken from Henry Cartier-Bresson’s work. |
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| ISSN: | 1414-4247 1808-1711 |