| Summary: | In the contemporary scenic context are always more numerous the theatre's companies that involve audience in the performance. This essay attempts to analyse participation's meanings for the companies which dedicate its work to this particular kind of theatre and, at the same times, for the spect-actors who are involved in it. For this reason, it is essential the examination of three different performances, in particular Pequeños ejercisios para el Buen Morir/Vivir of the Teatro de Los Sentidos guided by Enrique Vargas; Home visit Europe of the German company Rimini Protokoll; We need to talk of the catalan company FFF (The Friendly Face of Fascism), guided by Roger Bernat. If the scenic experience of the Teatro de Los Sentidos belongs to a kind of ritual's participation which has a finality, Rimini Protokoll and Roger Bernat's scenic declinations characterize itself for a participation which bring the spect-actor to live a particular kind of state in being.
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