Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine

The article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The e...

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Main Authors: Julia Romanenkova, Anna Paliychuk, Vadym Mykhalchuk
Format: Article
Language:English
Published: University of Novi Sad 2021-09-01
Series:Journal of Graphic Engineering and Design
Subjects:
Online Access:https://www.grid.uns.ac.rs/jged/download/v12n3/jged_v12_n3_p4.pdf
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spelling doaj-7a93708b877a49b0a4871a8d05754b8c2021-09-16T13:07:06ZengUniversity of Novi SadJournal of Graphic Engineering and Design2217-379X2217-98602021-09-01123394510.24867/JGED-2021-3-039Kiev ex-libris school as a xylography traditions keeper in printmaking of modern UkraineJulia Romanenkova0https://orcid.org/0000-0001-6741-7829Anna Paliychuk1https://orcid.org/0000-0001-8607-0648Vadym Mykhalchuk2https://orcid.org/0000-0002-8560-1846Kiev Municipal Academy of Circus and Performing Arts, Department of Music Art, Kiev, UkraineKiev Municipal Academy of Circus and Performing Arts, Department of Music Art, Kiev, UkraineNational Academy of Culture and Arts Management, Department of Culturology and Art-Management, Kiev, UkraineThe article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The ex-libris schools formed in the first quarter of the 21st century are emphasized, the main trends of the bookplate development predominant centers are defined (Kiev, Lvov, Odessa, Luhansk). Printmaking techniques, typical for a particular ex-libris school, are marked. Kiev bookplate school, as one of the leading centers for the classical xylography traditions preservation, is underlined. The most significant masters, working in these techniques, are presented, the technological process evolution is indicated and its main reasons are emphasized. The problem of opposition between the old and new in the art of printmaking is touched upon by example of classical techniques and gathering momentum computer graphics (CGA) coexistence.https://www.grid.uns.ac.rs/jged/download/v12n3/jged_v12_n3_p4.pdfprintmakingxylographychalcographyex-libriswoof cutlino cut
collection DOAJ
language English
format Article
sources DOAJ
author Julia Romanenkova
Anna Paliychuk
Vadym Mykhalchuk
spellingShingle Julia Romanenkova
Anna Paliychuk
Vadym Mykhalchuk
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
Journal of Graphic Engineering and Design
printmaking
xylography
chalcography
ex-libris
woof cut
lino cut
author_facet Julia Romanenkova
Anna Paliychuk
Vadym Mykhalchuk
author_sort Julia Romanenkova
title Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
title_short Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
title_full Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
title_fullStr Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
title_full_unstemmed Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
title_sort kiev ex-libris school as a xylography traditions keeper in printmaking of modern ukraine
publisher University of Novi Sad
series Journal of Graphic Engineering and Design
issn 2217-379X
2217-9860
publishDate 2021-09-01
description The article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The ex-libris schools formed in the first quarter of the 21st century are emphasized, the main trends of the bookplate development predominant centers are defined (Kiev, Lvov, Odessa, Luhansk). Printmaking techniques, typical for a particular ex-libris school, are marked. Kiev bookplate school, as one of the leading centers for the classical xylography traditions preservation, is underlined. The most significant masters, working in these techniques, are presented, the technological process evolution is indicated and its main reasons are emphasized. The problem of opposition between the old and new in the art of printmaking is touched upon by example of classical techniques and gathering momentum computer graphics (CGA) coexistence.
topic printmaking
xylography
chalcography
ex-libris
woof cut
lino cut
url https://www.grid.uns.ac.rs/jged/download/v12n3/jged_v12_n3_p4.pdf
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AT annapaliychuk kievexlibrisschoolasaxylographytraditionskeeperinprintmakingofmodernukraine
AT vadymmykhalchuk kievexlibrisschoolasaxylographytraditionskeeperinprintmakingofmodernukraine
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