Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine
The article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The e...
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University of Novi Sad
2021-09-01
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doaj-7a93708b877a49b0a4871a8d05754b8c2021-09-16T13:07:06ZengUniversity of Novi SadJournal of Graphic Engineering and Design2217-379X2217-98602021-09-01123394510.24867/JGED-2021-3-039Kiev ex-libris school as a xylography traditions keeper in printmaking of modern UkraineJulia Romanenkova0https://orcid.org/0000-0001-6741-7829Anna Paliychuk1https://orcid.org/0000-0001-8607-0648Vadym Mykhalchuk2https://orcid.org/0000-0002-8560-1846Kiev Municipal Academy of Circus and Performing Arts, Department of Music Art, Kiev, UkraineKiev Municipal Academy of Circus and Performing Arts, Department of Music Art, Kiev, UkraineNational Academy of Culture and Arts Management, Department of Culturology and Art-Management, Kiev, UkraineThe article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The ex-libris schools formed in the first quarter of the 21st century are emphasized, the main trends of the bookplate development predominant centers are defined (Kiev, Lvov, Odessa, Luhansk). Printmaking techniques, typical for a particular ex-libris school, are marked. Kiev bookplate school, as one of the leading centers for the classical xylography traditions preservation, is underlined. The most significant masters, working in these techniques, are presented, the technological process evolution is indicated and its main reasons are emphasized. The problem of opposition between the old and new in the art of printmaking is touched upon by example of classical techniques and gathering momentum computer graphics (CGA) coexistence.https://www.grid.uns.ac.rs/jged/download/v12n3/jged_v12_n3_p4.pdfprintmakingxylographychalcographyex-libriswoof cutlino cut |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Julia Romanenkova Anna Paliychuk Vadym Mykhalchuk |
spellingShingle |
Julia Romanenkova Anna Paliychuk Vadym Mykhalchuk Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine Journal of Graphic Engineering and Design printmaking xylography chalcography ex-libris woof cut lino cut |
author_facet |
Julia Romanenkova Anna Paliychuk Vadym Mykhalchuk |
author_sort |
Julia Romanenkova |
title |
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine |
title_short |
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine |
title_full |
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine |
title_fullStr |
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine |
title_full_unstemmed |
Kiev ex-libris school as a xylography traditions keeper in printmaking of modern Ukraine |
title_sort |
kiev ex-libris school as a xylography traditions keeper in printmaking of modern ukraine |
publisher |
University of Novi Sad |
series |
Journal of Graphic Engineering and Design |
issn |
2217-379X 2217-9860 |
publishDate |
2021-09-01 |
description |
The article is dedicated to Kiev ex-libris school role (EL) in modern Ukrainian printmaking. The loss process by a bookplate of utilitarian, applied functions and its transformation into an independent work of art, collectors' object of interest with an appreciated art value is described. The ex-libris schools formed in the first quarter of the 21st century are emphasized, the main trends of the bookplate development predominant centers are defined (Kiev, Lvov, Odessa, Luhansk). Printmaking techniques, typical for a particular ex-libris school, are marked. Kiev bookplate school, as one of the leading centers for the classical xylography traditions preservation, is underlined. The most significant masters, working in these techniques, are presented, the technological process evolution is indicated and its main reasons are emphasized. The problem of opposition between the old and new in the art of printmaking is touched upon by example of classical techniques and gathering momentum computer graphics (CGA) coexistence. |
topic |
printmaking xylography chalcography ex-libris woof cut lino cut |
url |
https://www.grid.uns.ac.rs/jged/download/v12n3/jged_v12_n3_p4.pdf |
work_keys_str_mv |
AT juliaromanenkova kievexlibrisschoolasaxylographytraditionskeeperinprintmakingofmodernukraine AT annapaliychuk kievexlibrisschoolasaxylographytraditionskeeperinprintmakingofmodernukraine AT vadymmykhalchuk kievexlibrisschoolasaxylographytraditionskeeperinprintmakingofmodernukraine |
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