Old Masters’ Madonnas in “New World” Photographs: Instances and Impact of Interpictoriality in Lewis W. Hine’s Photography
<p>This article proposes to investigate the degree and manner in which American photographer Lewis W. Hine in his works of the early twentieth century drew on previous artworks originating outside the United States. Many of Lewis Hine’s photographs, as the analysis of three selected case studi...
Main Author: | Klara Stephanie Szlezák |
---|---|
Format: | Article |
Language: | English |
Published: |
eScholarship Publishing, University of California
2016-07-01
|
Series: | Journal of Transnational American Studies |
Subjects: | |
Online Access: | http://escholarship.org/uc/item/8kj4w2x7 |
Similar Items
-
Lewis Hine y la ciudad sublime
by: Miguel Ángel Gaete
Published: (2018-09-01) -
Giving something to be seen: Virginia Woolf and photography
by: Adèle Cassigneul
Published: (2017-10-01) -
The child labor in the United States by Lewis Hine’s lens<br>O trabalho infantil nos Estados Unidos pelas lentes de Lewis Hine
by: José Pacheco dos Santos Júnior, et al.
Published: (2013-04-01) -
“Great Resolve Comes Flashing Thro’ the Gloom”: Julia Margaret Cameron’s Writings and Photographic Legacy Illuminate a Resilient Vision of Victorian Women
by: Parlin, Melissa J.
Published: (2010) -
Julia Margaret Cameron : l’ambivalence victorienne
by: Hélène Orain
Published: (2017-10-01)