Song Morphing by Humpback Whales: Cultural or Epiphenomenal?

Singing humpback whales (Megaptera noavaengliae) collectively and progressively change the sounds and patterns they produce within their songs throughout their lives. The dynamic modifications that humpback whales make to their songs are often cited as an impressive example of cultural transmission...

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Bibliographic Details
Main Author: Eduardo Mercado
Format: Article
Language:English
Published: Frontiers Media S.A. 2021-01-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2020.574403/full
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spelling doaj-7b16469697b94734a6abf7b586c9d4ed2021-01-15T06:17:36ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-01-011110.3389/fpsyg.2020.574403574403Song Morphing by Humpback Whales: Cultural or Epiphenomenal?Eduardo MercadoSinging humpback whales (Megaptera noavaengliae) collectively and progressively change the sounds and patterns they produce within their songs throughout their lives. The dynamic modifications that humpback whales make to their songs are often cited as an impressive example of cultural transmission through vocal learning in a non-human. Some elements of song change challenge this interpretation, however, including: (1) singers often incrementally and progressively morph phrases within and across songs as time passes, with trajectories of change being comparable across multiple time scales; (2) acoustically isolated subpopulations singing similar songs morph the acoustic properties of songs in similar ways; and (3) complex sound patterns, including phrases, themes, and whole songs, recur across years and populations. These properties of song dynamics suggest that singing humpback whales may be modulating song features in response to local conditions and genetic predispositions rather than socially learning novel sound patterns by copying other singers. Experimental and observational tests of key predictions of these alternative hypotheses are critical to identifying how and why singing humpback whales constantly change their songs.https://www.frontiersin.org/articles/10.3389/fpsyg.2020.574403/fullacoustic communicationcetaceanmysticeteself-organizationvocal learningepiphenomenon
collection DOAJ
language English
format Article
sources DOAJ
author Eduardo Mercado
spellingShingle Eduardo Mercado
Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
Frontiers in Psychology
acoustic communication
cetacean
mysticete
self-organization
vocal learning
epiphenomenon
author_facet Eduardo Mercado
author_sort Eduardo Mercado
title Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
title_short Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
title_full Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
title_fullStr Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
title_full_unstemmed Song Morphing by Humpback Whales: Cultural or Epiphenomenal?
title_sort song morphing by humpback whales: cultural or epiphenomenal?
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2021-01-01
description Singing humpback whales (Megaptera noavaengliae) collectively and progressively change the sounds and patterns they produce within their songs throughout their lives. The dynamic modifications that humpback whales make to their songs are often cited as an impressive example of cultural transmission through vocal learning in a non-human. Some elements of song change challenge this interpretation, however, including: (1) singers often incrementally and progressively morph phrases within and across songs as time passes, with trajectories of change being comparable across multiple time scales; (2) acoustically isolated subpopulations singing similar songs morph the acoustic properties of songs in similar ways; and (3) complex sound patterns, including phrases, themes, and whole songs, recur across years and populations. These properties of song dynamics suggest that singing humpback whales may be modulating song features in response to local conditions and genetic predispositions rather than socially learning novel sound patterns by copying other singers. Experimental and observational tests of key predictions of these alternative hypotheses are critical to identifying how and why singing humpback whales constantly change their songs.
topic acoustic communication
cetacean
mysticete
self-organization
vocal learning
epiphenomenon
url https://www.frontiersin.org/articles/10.3389/fpsyg.2020.574403/full
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