Notes towards a Theory of Contestational Architecture
With very few exceptions since Ancient Greece, architecture has ignored for most of its history, its relation to power and politics, focusing instead on different ideals of beauty, perfection and purity of forms. It is no surprise then that architecture was used for political purposes mainly by peo...
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Universitatea "Stefan cel Mare" Suceava
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Online Access: | http://www.apshus.usv.ro/arhiva/2013II/007.%20pp.%2099-121.pdf |
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doaj-7bf25ba570874d2c9e3324258da9081a2020-11-24T23:40:21ZengUniversitatea "Stefan cel Mare" SuceavaAnnals of Philosophy, Social and Human Disciplines 2069-40082069-40162013-12-01II99121Notes towards a Theory of Contestational ArchitectureSabin Borş0Dragoş Dascălu1Curator, Ph.D student, “Babeş-Bolyai” University Cluj-Napoca Architect, Ph.D student, Technical University of Cluj-NapocaWith very few exceptions since Ancient Greece, architecture has ignored for most of its history, its relation to power and politics, focusing instead on different ideals of beauty, perfection and purity of forms. It is no surprise then that architecture was used for political purposes mainly by people who are not architects, like Charles Fourier, Robert Owen, N.A. Miliutyn, to name just a few. Architecture is, and always was, linked to power, power holders, and to the idea of organizing the lives of groups or individuals. In the recent years, when the economic crisis hit stronger the residential sector and other real estate developments, the architects’ role in the perpetuation of the established economic and political system has been put to scrutiny. Critics argue that architecture and architects lost their social role, or even more radically, that it can be considered an accomplice of power holders in the perpetuation of the current system. Critical architectural practices, based on the philosophy of conflict and the rejection of the idea of consensus, challenge the existing power structures and have gained in the recent years more and more ground both inside the profession and outside. But these practices are marginal more often than not, with a very limited impact, because however idealistic and well intentioned these practices are, architecture is still dependent on capital. How can architects produce spaces which are less about the power holders which finance and/or own them and more about the users? How can contestational architectures create anticipative geographies without remaining marginal?http://www.apshus.usv.ro/arhiva/2013II/007.%20pp.%2099-121.pdfArchitectureConsensusPhilosophy of ConflictUrban TacticsContestational Strategies. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sabin Borş Dragoş Dascălu |
spellingShingle |
Sabin Borş Dragoş Dascălu Notes towards a Theory of Contestational Architecture Annals of Philosophy, Social and Human Disciplines Architecture Consensus Philosophy of Conflict Urban Tactics Contestational Strategies. |
author_facet |
Sabin Borş Dragoş Dascălu |
author_sort |
Sabin Borş |
title |
Notes towards a Theory of Contestational Architecture |
title_short |
Notes towards a Theory of Contestational Architecture |
title_full |
Notes towards a Theory of Contestational Architecture |
title_fullStr |
Notes towards a Theory of Contestational Architecture |
title_full_unstemmed |
Notes towards a Theory of Contestational Architecture |
title_sort |
notes towards a theory of contestational architecture |
publisher |
Universitatea "Stefan cel Mare" Suceava |
series |
Annals of Philosophy, Social and Human Disciplines |
issn |
2069-4008 2069-4016 |
publishDate |
2013-12-01 |
description |
With very few exceptions since Ancient Greece, architecture has ignored for most of its history, its relation to power and politics, focusing instead on different ideals of beauty, perfection and purity of forms. It is no surprise then that architecture was used for political purposes mainly by people who are not architects, like Charles Fourier, Robert Owen, N.A. Miliutyn, to name just a few. Architecture is, and always was, linked to power, power holders, and to the idea of organizing the lives of groups or individuals. In the recent years, when the economic crisis hit stronger the residential sector and other real estate developments, the architects’ role in the perpetuation of the established economic and political system has been put to scrutiny. Critics argue that architecture and architects lost their social role, or even more radically, that it can be considered an accomplice of power holders in the perpetuation of the current system. Critical architectural practices, based on the philosophy of conflict and the rejection of the idea of consensus, challenge the existing power structures and have gained in the recent years more and more ground both inside the profession and outside. But these practices are marginal more often than not, with a very limited impact, because however idealistic and well intentioned these practices are, architecture is still dependent on capital. How can architects produce spaces which are less about the power holders which finance and/or own them and more about the users? How can contestational architectures create anticipative geographies without remaining marginal? |
topic |
Architecture Consensus Philosophy of Conflict Urban Tactics Contestational Strategies. |
url |
http://www.apshus.usv.ro/arhiva/2013II/007.%20pp.%2099-121.pdf |
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AT sabinbors notestowardsatheoryofcontestationalarchitecture AT dragosdascalu notestowardsatheoryofcontestationalarchitecture |
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