La iconografía de los grabados de anteportada en los almanaques
The typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-...
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Universidad de Cádiz
2020-12-01
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Online Access: | https://revistas.uca.es/index.php/cir/article/view/5850 |
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doaj-7c906c36f1b74361a3a74789814ee7082021-03-30T10:15:36ZspaUniversidad de CádizCuadernos de Ilustración y Romanticismo2173-06872020-12-012633336410.25267/Cuad_Ilus_romant.2020.i26.15La iconografía de los grabados de anteportada en los almanaquesRocío Cárdenas Luna0Universidad de CórdobaThe typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-title of the edition. This engraving used to illustrate the image of Piscator in an certainly imaginative way (at least from the last years of the seventeenth century onwards). Thence, the image was not considered as the formal authorial representation. The evolution of these engravings, which were copies shared amongst different authors and overlap other models used in France and in Italy, is considered through the assessment of the combination of its representations and its variations as the authorial mask.https://revistas.uca.es/index.php/cir/article/view/5850iconographyportraitauthoralmanacforecastsfront pageliterature |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Rocío Cárdenas Luna |
spellingShingle |
Rocío Cárdenas Luna La iconografía de los grabados de anteportada en los almanaques Cuadernos de Ilustración y Romanticismo iconography portrait author almanac forecasts front page literature |
author_facet |
Rocío Cárdenas Luna |
author_sort |
Rocío Cárdenas Luna |
title |
La iconografía de los grabados de anteportada en los almanaques |
title_short |
La iconografía de los grabados de anteportada en los almanaques |
title_full |
La iconografía de los grabados de anteportada en los almanaques |
title_fullStr |
La iconografía de los grabados de anteportada en los almanaques |
title_full_unstemmed |
La iconografía de los grabados de anteportada en los almanaques |
title_sort |
la iconografía de los grabados de anteportada en los almanaques |
publisher |
Universidad de Cádiz |
series |
Cuadernos de Ilustración y Romanticismo |
issn |
2173-0687 |
publishDate |
2020-12-01 |
description |
The typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-title of the edition. This engraving used to illustrate the image of Piscator in an certainly imaginative way (at least from the last years of the seventeenth century onwards). Thence, the image was not considered as the formal authorial representation. The evolution of these engravings, which were copies shared amongst different authors and overlap other models used in France and in Italy, is considered through the assessment of the combination of its representations and its variations as the authorial mask. |
topic |
iconography portrait author almanac forecasts front page literature |
url |
https://revistas.uca.es/index.php/cir/article/view/5850 |
work_keys_str_mv |
AT rociocardenasluna laiconografiadelosgrabadosdeanteportadaenlosalmanaques |
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1714741069210451968 |