Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni

Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni

The aim of the present article is to discuss the semantics of the spatial image abisso (“abyss”) in Dante’s Commedia. Parting from the methodological principles of Paul Ricoeur of his general theory of the intersection of poetic discourse and speculative discourse, this study, based also on examinin...

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Bibliographic Details
Main Author: Ülar Ploom
Format: Article
Language:English
Published: Firenze University Press 2014-05-01
Series:LEA : Lingue e Letterature d'Oriente e d'Occidente
Subjects:
free will
freedom of mind
sense and reference
space and non-space
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7610
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spelling doaj-7d6fd2e4921f4815a6193fee952882fc2020-11-25T03:24:40ZengFirenze University PressLEA : Lingue e Letterature d'Oriente e d'Occidente1824-484X2014-05-01210.13128/LEA-1824-484x-1384612377Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoniÜlar PloomThe aim of the present article is to discuss the semantics of the spatial image abisso (“abyss”) in Dante’s Commedia. Parting from the methodological principles of Paul Ricoeur of his general theory of the intersection of poetic discourse and speculative discourse, this study, based also on examining the translations of Dante’s work into Estonian, wishes to demonstrate that from the derogatory semantics of abisso in Inferno and the semantics of doubt related to the same concept in Purgatorio Dante arrives at the semantics of openness and freedom of the non-spatial abisso in Paradiso. Therefore the dynamics of this particular image is emblematic of the whole cognitive voyage in Commedia: from the abyss of the confusion of his mind Dante free-willingly plunges into the orderly abyss of God’s freedom which man’s mind, however, can never grasp with his own will. https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7610free willfreedom of mindsense and referencespace and non-space
collection DOAJ
language English
format Article
sources DOAJ
author Ülar Ploom
spellingShingle Ülar Ploom
Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
LEA : Lingue e Letterature d'Oriente e d'Occidente
free will
freedom of mind
sense and reference
space and non-space
author_facet Ülar Ploom
author_sort Ülar Ploom
title Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
title_short Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
title_full Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
title_fullStr Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
title_full_unstemmed Sulla semantica dell’“abisso” nella <em>Divina Commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
title_sort sulla semantica dell’“abisso” nella <em>divina commedia</em>: libertà e spazio nell’originale dantesco e nelle traduzioni estoni
publisher Firenze University Press
series LEA : Lingue e Letterature d'Oriente e d'Occidente
issn 1824-484X
publishDate 2014-05-01
description The aim of the present article is to discuss the semantics of the spatial image abisso (“abyss”) in Dante’s Commedia. Parting from the methodological principles of Paul Ricoeur of his general theory of the intersection of poetic discourse and speculative discourse, this study, based also on examining the translations of Dante’s work into Estonian, wishes to demonstrate that from the derogatory semantics of abisso in Inferno and the semantics of doubt related to the same concept in Purgatorio Dante arrives at the semantics of openness and freedom of the non-spatial abisso in Paradiso. Therefore the dynamics of this particular image is emblematic of the whole cognitive voyage in Commedia: from the abyss of the confusion of his mind Dante free-willingly plunges into the orderly abyss of God’s freedom which man’s mind, however, can never grasp with his own will.
topic free will
freedom of mind
sense and reference
space and non-space
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7610
work_keys_str_mv AT ularploom sullasemanticadellabissonellaemdivinacommediaemlibertaespazionelloriginaledantescoenelletraduzioniestoni
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