Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment

Most research on teachers’ ideas about assessment comes from studies conducted with general education teachers (e.g., primary, secondary, university). In contrast, there are only a few studies focused on teachers of art-related disciplines, specifically those who teach instrumental performance in mu...

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Main Authors: Aránzazu González Royo, Alfredo Bautista
Format: Article
Language:deu
Published: FahrenHouse 2020-01-01
Series:Foro de Educación
Subjects:
Online Access:https://www.forodeeducacion.com/ojs/index.php/fde/article/view/651
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spelling doaj-7d9507a97420412394c7453fd7459cb52020-11-25T01:51:06ZdeuFahrenHouseForo de Educación1698-77991698-78022020-01-0118114716610.14516/fde.651463Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of AssessmentAránzazu González Royo0Alfredo Bautista1Universidad Politénica de ValenciaNanyang Technological University, National Institute of Education (Singapur)Most research on teachers’ ideas about assessment comes from studies conducted with general education teachers (e.g., primary, secondary, university). In contrast, there are only a few studies focused on teachers of art-related disciplines, specifically those who teach instrumental performance in music conservatories. The aim of this study was to describe the ideas that instrumental music teachers have on the functions and purposes of assessment, comparing them with the ideas outlined in the current music curriculum. Participants were 18 teachers from different instrumental specialties, who taught at state-funded conservatories within the autonomous Community of Madrid. We conducted semi­structured interviews in which we asked teachers about the purposes that they had in mind when assessing students. Responses were analyzed using content analysis. Findings showed that the most frequently mentioned primary purposes of assessment were summative, formative and self­assessment, while grading students appeared most frequently as a secondary purpose. Few teachers refereed to the formative purpose. In addition, we found that the teachers’ responses alluded to both social and educational functions of assessment. We conclude that the ideas of the interviewed teachers reflected what is prescribed in the current music curriculum only partially, given the marginal role of the formative purpose as compared with curriculum guidelines. Limitations of the study are discussed. We suggest that researchers should conduct future research addressing the tensions between educational and social functions of assessment throughout each educational cycle.https://www.forodeeducacion.com/ojs/index.php/fde/article/view/651profesores de instrumentoconservatorioevaluaciónfuncionesfinalidadescurrículo
collection DOAJ
language deu
format Article
sources DOAJ
author Aránzazu González Royo
Alfredo Bautista
spellingShingle Aránzazu González Royo
Alfredo Bautista
Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
Foro de Educación
profesores de instrumento
conservatorio
evaluación
funciones
finalidades
currículo
author_facet Aránzazu González Royo
Alfredo Bautista
author_sort Aránzazu González Royo
title Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
title_short Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
title_full Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
title_fullStr Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
title_full_unstemmed Conservatory Instrumental Teachers’ Ideas about the Functions and Purposes of Assessment
title_sort conservatory instrumental teachers’ ideas about the functions and purposes of assessment
publisher FahrenHouse
series Foro de Educación
issn 1698-7799
1698-7802
publishDate 2020-01-01
description Most research on teachers’ ideas about assessment comes from studies conducted with general education teachers (e.g., primary, secondary, university). In contrast, there are only a few studies focused on teachers of art-related disciplines, specifically those who teach instrumental performance in music conservatories. The aim of this study was to describe the ideas that instrumental music teachers have on the functions and purposes of assessment, comparing them with the ideas outlined in the current music curriculum. Participants were 18 teachers from different instrumental specialties, who taught at state-funded conservatories within the autonomous Community of Madrid. We conducted semi­structured interviews in which we asked teachers about the purposes that they had in mind when assessing students. Responses were analyzed using content analysis. Findings showed that the most frequently mentioned primary purposes of assessment were summative, formative and self­assessment, while grading students appeared most frequently as a secondary purpose. Few teachers refereed to the formative purpose. In addition, we found that the teachers’ responses alluded to both social and educational functions of assessment. We conclude that the ideas of the interviewed teachers reflected what is prescribed in the current music curriculum only partially, given the marginal role of the formative purpose as compared with curriculum guidelines. Limitations of the study are discussed. We suggest that researchers should conduct future research addressing the tensions between educational and social functions of assessment throughout each educational cycle.
topic profesores de instrumento
conservatorio
evaluación
funciones
finalidades
currículo
url https://www.forodeeducacion.com/ojs/index.php/fde/article/view/651
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