The Anonymous Jane Austen: Duelling Canons

This essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Ma...

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Main Author: Edward Copeland
Format: Article
Language:English
Published: Prof. Rinaldo Rinaldi 2017-12-01
Series:Parole Rubate : Rivista Internazionale di Studi sulla Citazione
Subjects:
Online Access:http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdf
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spelling doaj-7fa4bf042b4f4de4976d95fef309f3eb2021-02-02T08:06:27ZengProf. Rinaldo RinaldiParole Rubate : Rivista Internazionale di Studi sulla Citazione2039-01142017-12-018161339The Anonymous Jane Austen: Duelling CanonsEdward Copeland0Pomona College - ClaremontThis essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Magazine” of 1802. I will show that this tale that claimed Austen’s particular attention was re-appropriated in Emma (although in the broadest sense of parody) and, to a lesser extent, in Sense and Sensibility. The second part of the essay, instead, will move on to analyze how novelists of the generation that followed Austen felt free to import dialogue, characters, and plots from Austen’s works, showing no obligation to their source, just as she had done with the “Lady’s” tale. I will mention and comment on a series of novels, especially from the silver fork school, that draw from Austen’s plot, characters and happenings without acknowledging their legacy to their predecessor.http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdfAustenEnglish literature
collection DOAJ
language English
format Article
sources DOAJ
author Edward Copeland
spellingShingle Edward Copeland
The Anonymous Jane Austen: Duelling Canons
Parole Rubate : Rivista Internazionale di Studi sulla Citazione
Austen
English literature
author_facet Edward Copeland
author_sort Edward Copeland
title The Anonymous Jane Austen: Duelling Canons
title_short The Anonymous Jane Austen: Duelling Canons
title_full The Anonymous Jane Austen: Duelling Canons
title_fullStr The Anonymous Jane Austen: Duelling Canons
title_full_unstemmed The Anonymous Jane Austen: Duelling Canons
title_sort anonymous jane austen: duelling canons
publisher Prof. Rinaldo Rinaldi
series Parole Rubate : Rivista Internazionale di Studi sulla Citazione
issn 2039-0114
publishDate 2017-12-01
description This essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Magazine” of 1802. I will show that this tale that claimed Austen’s particular attention was re-appropriated in Emma (although in the broadest sense of parody) and, to a lesser extent, in Sense and Sensibility. The second part of the essay, instead, will move on to analyze how novelists of the generation that followed Austen felt free to import dialogue, characters, and plots from Austen’s works, showing no obligation to their source, just as she had done with the “Lady’s” tale. I will mention and comment on a series of novels, especially from the silver fork school, that draw from Austen’s plot, characters and happenings without acknowledging their legacy to their predecessor.
topic Austen
English literature
url http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdf
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