The Anonymous Jane Austen: Duelling Canons
This essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Ma...
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Prof. Rinaldo Rinaldi
2017-12-01
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Online Access: | http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdf |
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doaj-7fa4bf042b4f4de4976d95fef309f3eb2021-02-02T08:06:27ZengProf. Rinaldo RinaldiParole Rubate : Rivista Internazionale di Studi sulla Citazione2039-01142017-12-018161339The Anonymous Jane Austen: Duelling CanonsEdward Copeland0Pomona College - ClaremontThis essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Magazine” of 1802. I will show that this tale that claimed Austen’s particular attention was re-appropriated in Emma (although in the broadest sense of parody) and, to a lesser extent, in Sense and Sensibility. The second part of the essay, instead, will move on to analyze how novelists of the generation that followed Austen felt free to import dialogue, characters, and plots from Austen’s works, showing no obligation to their source, just as she had done with the “Lady’s” tale. I will mention and comment on a series of novels, especially from the silver fork school, that draw from Austen’s plot, characters and happenings without acknowledging their legacy to their predecessor.http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdfAustenEnglish literature |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Edward Copeland |
spellingShingle |
Edward Copeland The Anonymous Jane Austen: Duelling Canons Parole Rubate : Rivista Internazionale di Studi sulla Citazione Austen English literature |
author_facet |
Edward Copeland |
author_sort |
Edward Copeland |
title |
The Anonymous Jane Austen: Duelling Canons |
title_short |
The Anonymous Jane Austen: Duelling Canons |
title_full |
The Anonymous Jane Austen: Duelling Canons |
title_fullStr |
The Anonymous Jane Austen: Duelling Canons |
title_full_unstemmed |
The Anonymous Jane Austen: Duelling Canons |
title_sort |
anonymous jane austen: duelling canons |
publisher |
Prof. Rinaldo Rinaldi |
series |
Parole Rubate : Rivista Internazionale di Studi sulla Citazione |
issn |
2039-0114 |
publishDate |
2017-12-01 |
description |
This essay initially addresses some theoretical concepts such as adaptation and appropriation. I intend to analyze how Jane Austen herself indulged in her own appropriations from the woman’s canon, in particular through a story entitled Guilt Pursued by Conscience, a tale she found in the “Lady’s Magazine” of 1802. I will show that this tale that claimed Austen’s particular attention was re-appropriated in Emma (although in the broadest sense of parody) and, to a lesser extent, in Sense and Sensibility. The second part of the essay, instead, will move on to analyze how novelists of the generation that followed Austen felt free to import dialogue, characters, and plots from Austen’s works, showing no obligation to their source, just as she had done with the “Lady’s” tale. I will mention and comment on a series of novels, especially from the silver fork school, that draw from Austen’s plot, characters and happenings without acknowledging their legacy to their predecessor. |
topic |
Austen English literature |
url |
http://www.parolerubate.unipr.it/fascicolo16_pdf/F16_2_copeland_duelling.pdf |
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AT edwardcopeland theanonymousjaneaustenduellingcanons AT edwardcopeland anonymousjaneaustenduellingcanons |
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