Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo

<p>Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstrac...

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Main Author: Halisson Júnior da Silva
Format: Article
Language:Spanish
Published: Universidade Estadual de Londrina 2013-08-01
Series:Discursos Fotográficos
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902
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spelling doaj-8027bc06ba9a4c59a7f196cee6a30de82020-11-24T23:17:04ZspaUniversidade Estadual de LondrinaDiscursos Fotográficos1808-56521984-79392013-08-0191527327410.5433/1984-7939.2013v9n15p2739692Vision over visibility: the universe of images in contemporaneity and the creation of the comic AméricoHalisson Júnior da Silva0Universidade Estadual de Londrina<p>Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.</p>http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902Américo (Personagem fictício) - Histórias em quadrinhosImagens, ilustrações, etcArte e comunicaçãoComunicação visualHistórias em quadrinhos.
collection DOAJ
language Spanish
format Article
sources DOAJ
author Halisson Júnior da Silva
spellingShingle Halisson Júnior da Silva
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
Discursos Fotográficos
Américo (Personagem fictício) - Histórias em quadrinhos
Imagens, ilustrações, etc
Arte e comunicação
Comunicação visual
Histórias em quadrinhos.
author_facet Halisson Júnior da Silva
author_sort Halisson Júnior da Silva
title Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_short Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_full Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_fullStr Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_full_unstemmed Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_sort vision over visibility: the universe of images in contemporaneity and the creation of the comic américo
publisher Universidade Estadual de Londrina
series Discursos Fotográficos
issn 1808-5652
1984-7939
publishDate 2013-08-01
description <p>Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.</p>
topic Américo (Personagem fictício) - Histórias em quadrinhos
Imagens, ilustrações, etc
Arte e comunicação
Comunicação visual
Histórias em quadrinhos.
url http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902
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