Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde

Published in 2008, the novel Retour de manivelle by Julien Kilanga Musinde revives the unfinished debate related to the search of identity in African writing. The universe depicted represents the modern society and Musinde’s main character is changing as fast as he relocates to a different society....

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Main Author: Patrick Kabeya Mwepu
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2017-03-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/2030
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spelling doaj-82845ce35df9473e94ef80f6fae40c552020-11-25T01:10:33ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702017-03-01501Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga MusindePatrick Kabeya Mwepu Published in 2008, the novel Retour de manivelle by Julien Kilanga Musinde revives the unfinished debate related to the search of identity in African writing. The universe depicted represents the modern society and Musinde’s main character is changing as fast as he relocates to a different society. The author depicts this flexibility as a strength that commands the adaptability of the character without suppressing the initial culture of the protagonist. Musinde chooses to freely express his fantasy and, at the same time, integrate his subjective world vision and multidimensional scholarship in the interpretation of the identity. The question of culture being central to the novel, the paper is aimed at demonstrating, however, that the culture that is depicted as both exclusive and dynamic in Musinde’s work should be understood mainly in cyclic perception in which both the starting and the arrival points are joining in a unique individual subjectivity, such a subjectivity having the potential of engendering a new discourse by attempting to juxtapose conflicting ways of life. The paper also demonstrates how Musinde distances himself from the materialistic world vision commonly expressed by existentialists and Epicurean philosophers. This attitude allows the author to reflect on the interconnectivity between the immediate empirical reality and the world beyond from the perspective of a transnational African intellectual in a globalizing world. https://journals.assaf.org.za/index.php/tvl/article/view/2030Congolese literaturecultural identityexistentialismglobalisationJulien Kilanga Musindemeaning of death
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Patrick Kabeya Mwepu
spellingShingle Patrick Kabeya Mwepu
Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
Tydskrif vir Letterkunde
Congolese literature
cultural identity
existentialism
globalisation
Julien Kilanga Musinde
meaning of death
author_facet Patrick Kabeya Mwepu
author_sort Patrick Kabeya Mwepu
title Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
title_short Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
title_full Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
title_fullStr Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
title_full_unstemmed Culturalisme et réflexion existentialiste— Une lecture de Retour de manivelle de Julien Kilanga Musinde
title_sort culturalisme et réflexion existentialiste— une lecture de retour de manivelle de julien kilanga musinde
publisher Tydskrif vir Letterkunde Association
series Tydskrif vir Letterkunde
issn 0041-476X
2309-9070
publishDate 2017-03-01
description Published in 2008, the novel Retour de manivelle by Julien Kilanga Musinde revives the unfinished debate related to the search of identity in African writing. The universe depicted represents the modern society and Musinde’s main character is changing as fast as he relocates to a different society. The author depicts this flexibility as a strength that commands the adaptability of the character without suppressing the initial culture of the protagonist. Musinde chooses to freely express his fantasy and, at the same time, integrate his subjective world vision and multidimensional scholarship in the interpretation of the identity. The question of culture being central to the novel, the paper is aimed at demonstrating, however, that the culture that is depicted as both exclusive and dynamic in Musinde’s work should be understood mainly in cyclic perception in which both the starting and the arrival points are joining in a unique individual subjectivity, such a subjectivity having the potential of engendering a new discourse by attempting to juxtapose conflicting ways of life. The paper also demonstrates how Musinde distances himself from the materialistic world vision commonly expressed by existentialists and Epicurean philosophers. This attitude allows the author to reflect on the interconnectivity between the immediate empirical reality and the world beyond from the perspective of a transnational African intellectual in a globalizing world.
topic Congolese literature
cultural identity
existentialism
globalisation
Julien Kilanga Musinde
meaning of death
url https://journals.assaf.org.za/index.php/tvl/article/view/2030
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