THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”

The article is devoted to the essay “Sevan” by Mandelshtam from the cycle “The Travel to Armenia”. The prose by Mandelshtam has the special sequence of ideas: instead of sequential telling of the plot the author uses the “montage”, and the “key” to this montage could be both the causal association a...

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Main Author: I F Golovchenko
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2017-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:http://journals.rudn.ru/literary-criticism/article/view/17081
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spelling doaj-836b03ff1bbc436aad94c2bd6d79e7132020-11-25T02:52:08ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472017-12-0122342643210.22363/2312-9220-2017-22-3-426-43215754THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”I F Golovchenko0<p>Пятигорский государственный университет</p>The article is devoted to the essay “Sevan” by Mandelshtam from the cycle “The Travel to Armenia”. The prose by Mandelshtam has the special sequence of ideas: instead of sequential telling of the plot the author uses the “montage”, and the “key” to this montage could be both the causal association and the concrete text. This research is devoted to the comparison of two texts: the essay “Sevan” and the Edgar Poe’s story “The Facts in the Case of M. Valdemar”. This story has a chain of motives: mesmerism - a man of angularity - sickness and death - the frontier state between life and death. The same chain of ideas with another content is the base of “Sevan”.http://journals.rudn.ru/literary-criticism/article/view/17081мотивмотивный анализПоМандельштамаллюзия
collection DOAJ
language English
format Article
sources DOAJ
author I F Golovchenko
spellingShingle I F Golovchenko
THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
RUDN Journal of Studies in Literature and Journalism
мотив
мотивный анализ
По
Мандельштам
аллюзия
author_facet I F Golovchenko
author_sort I F Golovchenko
title THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
title_short THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
title_full THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
title_fullStr THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
title_full_unstemmed THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR”
title_sort literary travel in o. mandelshtam’s essay “sevan”: the allusions to edgar poe’s story “the facts in the case of m. valdemar”
publisher Peoples’ Friendship University of Russia (RUDN University)
series RUDN Journal of Studies in Literature and Journalism
issn 2312-9220
2312-9247
publishDate 2017-12-01
description The article is devoted to the essay “Sevan” by Mandelshtam from the cycle “The Travel to Armenia”. The prose by Mandelshtam has the special sequence of ideas: instead of sequential telling of the plot the author uses the “montage”, and the “key” to this montage could be both the causal association and the concrete text. This research is devoted to the comparison of two texts: the essay “Sevan” and the Edgar Poe’s story “The Facts in the Case of M. Valdemar”. This story has a chain of motives: mesmerism - a man of angularity - sickness and death - the frontier state between life and death. The same chain of ideas with another content is the base of “Sevan”.
topic мотив
мотивный анализ
По
Мандельштам
аллюзия
url http://journals.rudn.ru/literary-criticism/article/view/17081
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