Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé
Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. And yet, in Madame Bovary, he intentionally introduces, thirty-four times, outside of any dialogue situation, a second person (you, yours, your…) that suggests the presence of a narrator addr...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2017-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | http://journals.openedition.org/flaubert/2792 |