Black Performance and Body Dramaturgy in the Batuque
The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putti...
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Universidade Federal do Rio Grande do Sul
2017-05-01
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Online Access: | http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270 |
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doaj-84466d13da4a4ff6bdeb68f80a9cf28d2020-11-25T01:21:32ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602017-05-0172249273Black Performance and Body Dramaturgy in the BatuqueRenata de Lima Silva0Eloisa Marques Rosa1Universidade Federal de GoiásInstituto Federal de BrasíliaThe expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270DramaturgyBodyBatuqueAfro-Brazilian Performance |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Renata de Lima Silva Eloisa Marques Rosa |
spellingShingle |
Renata de Lima Silva Eloisa Marques Rosa Black Performance and Body Dramaturgy in the Batuque Revista Brasileira de Estudos da Presença Dramaturgy Body Batuque Afro-Brazilian Performance |
author_facet |
Renata de Lima Silva Eloisa Marques Rosa |
author_sort |
Renata de Lima Silva |
title |
Black Performance and Body Dramaturgy in the Batuque |
title_short |
Black Performance and Body Dramaturgy in the Batuque |
title_full |
Black Performance and Body Dramaturgy in the Batuque |
title_fullStr |
Black Performance and Body Dramaturgy in the Batuque |
title_full_unstemmed |
Black Performance and Body Dramaturgy in the Batuque |
title_sort |
black performance and body dramaturgy in the batuque |
publisher |
Universidade Federal do Rio Grande do Sul |
series |
Revista Brasileira de Estudos da Presença |
issn |
2237-2660 2237-2660 |
publishDate |
2017-05-01 |
description |
The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil). |
topic |
Dramaturgy Body Batuque Afro-Brazilian Performance |
url |
http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270 |
work_keys_str_mv |
AT renatadelimasilva blackperformanceandbodydramaturgyinthebatuque AT eloisamarquesrosa blackperformanceandbodydramaturgyinthebatuque |
_version_ |
1725129658422263808 |