Black Performance and Body Dramaturgy in the Batuque

The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putti...

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Main Authors: Renata de Lima Silva, Eloisa Marques Rosa
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2017-05-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270
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spelling doaj-84466d13da4a4ff6bdeb68f80a9cf28d2020-11-25T01:21:32ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602017-05-0172249273Black Performance and Body Dramaturgy in the BatuqueRenata de Lima Silva0Eloisa Marques Rosa1Universidade Federal de GoiásInstituto Federal de BrasíliaThe expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270DramaturgyBodyBatuqueAfro-Brazilian Performance
collection DOAJ
language English
format Article
sources DOAJ
author Renata de Lima Silva
Eloisa Marques Rosa
spellingShingle Renata de Lima Silva
Eloisa Marques Rosa
Black Performance and Body Dramaturgy in the Batuque
Revista Brasileira de Estudos da Presença
Dramaturgy
Body
Batuque
Afro-Brazilian Performance
author_facet Renata de Lima Silva
Eloisa Marques Rosa
author_sort Renata de Lima Silva
title Black Performance and Body Dramaturgy in the Batuque
title_short Black Performance and Body Dramaturgy in the Batuque
title_full Black Performance and Body Dramaturgy in the Batuque
title_fullStr Black Performance and Body Dramaturgy in the Batuque
title_full_unstemmed Black Performance and Body Dramaturgy in the Batuque
title_sort black performance and body dramaturgy in the batuque
publisher Universidade Federal do Rio Grande do Sul
series Revista Brasileira de Estudos da Presença
issn 2237-2660
2237-2660
publishDate 2017-05-01
description The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil).
topic Dramaturgy
Body
Batuque
Afro-Brazilian Performance
url http://seer.ufrgs.br/index.php/presenca/article/view/71218/41270
work_keys_str_mv AT renatadelimasilva blackperformanceandbodydramaturgyinthebatuque
AT eloisamarquesrosa blackperformanceandbodydramaturgyinthebatuque
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