Dystopia as the way to a new form of interaction
Claudia Aboaf's trilogy, made up of Pichonas (2014), El Rey del Agua (2016) and El Ojo y la Flor (2019), is part of a series of dystopian literary manifestations that exhibit the social, political and economic crisis of Argentinian society since a time of state terrorism and as a consequence of...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de Mar del Plata
2020-07-01
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| Series: | Estudios de Teoría Literaria |
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| Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/4148 |
| Summary: | Claudia Aboaf's trilogy, made up of Pichonas (2014), El Rey del Agua (2016) and El Ojo y la Flor (2019), is part of a series of dystopian literary manifestations that exhibit the social, political and economic crisis of Argentinian society since a time of state terrorism and as a consequence of the neoliberal model. In a fragmented and futuristic setting, through the internal process carried out by the protagonists, the author presents a journey that starts from pain, violence and the symbolic absence of bodies, and is directed towards a new proposal of singularity, affectivity and interaction. |
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| ISSN: | 2313-9676 |