Literary “Projects” in German Culture in the Second Half of the 20th Century

This article studies the tendency behind the emergence of various “literary projects” in Germany’s culture after 1945. The history of literature is traditionally described with its designation of the writers’ communities, united by their artistic interests and perceived as symbols of the era (Gruppe...

Full description

Bibliographic Details
Main Author: Dmitry Alexandrovich Chugunov
Format: Article
Language:Russian
Published: Ural Federal University Press 2018-10-01
Series:Известия Уральского федерального университета. Серия 2: Гуманитарные науки
Subjects:
Online Access:https://journals.urfu.ru/index.php/Izvestia2/article/view/3432
id doaj-872b71861fb7466eaf56176c66d1ecbf
record_format Article
spelling doaj-872b71861fb7466eaf56176c66d1ecbf2020-11-25T02:50:07ZrusUral Federal University PressИзвестия Уральского федерального университета. Серия 2: Гуманитарные науки2227-22832587-69292018-10-01203(178)18319210.15826/izv2.2018.20.3.0542812Literary “Projects” in German Culture in the Second Half of the 20th CenturyDmitry Alexandrovich Chugunov0Воронежский государственный университет, ВоронежThis article studies the tendency behind the emergence of various “literary projects” in Germany’s culture after 1945. The history of literature is traditionally described with its designation of the writers’ communities, united by their artistic interests and perceived as symbols of the era (Gruppe 47, Gruppe 61, Cologne School of New Realism, etc.). However, in the second half of the 20th century, due to changes in the paradigm of values in the public’s consciousness and changes in the publishing policy, not literary groups but “projects” come to the fore. For example, the Bitterfeld Path (Bitterfelder Weg) was an impressive experiment in the literature of the GDR. The idea of an orderly influence on the literary process was successfully adopted in West Germany. This process becomes particularly noticeable at the turn of the 20th century. Thus, after the unification of Germany, books depicting the new world and the life of the younger generation come to be of great demand. For this reason, publishers actively seek and introduce all the new young authors (J. Hermann, B. Lebert, etc.). For many of these authors, being involved in the framework of “literary projects” creates an internal conflict between their own creative aspirations and the demands of the book market. Among the numerous “literary projects”, a special phenomenon is Tristesse Royale (1999), a pop culture quintet, and Gruppe 05 (Lübecker Literaturtreffen) established by G. Grass in 2005, both combining features of a literary group and a literary “project”.https://journals.urfu.ru/index.php/Izvestia2/article/view/3432Б. Леберт«Биттерфельдский путь»Г. Грасс«Группа 47»литературные проекты Германии«Любекские литературные встречи»Ю. Герман.
collection DOAJ
language Russian
format Article
sources DOAJ
author Dmitry Alexandrovich Chugunov
spellingShingle Dmitry Alexandrovich Chugunov
Literary “Projects” in German Culture in the Second Half of the 20th Century
Известия Уральского федерального университета. Серия 2: Гуманитарные науки
Б. Леберт
«Биттерфельдский путь»
Г. Грасс
«Группа 47»
литературные проекты Германии
«Любекские литературные встречи»
Ю. Герман.
author_facet Dmitry Alexandrovich Chugunov
author_sort Dmitry Alexandrovich Chugunov
title Literary “Projects” in German Culture in the Second Half of the 20th Century
title_short Literary “Projects” in German Culture in the Second Half of the 20th Century
title_full Literary “Projects” in German Culture in the Second Half of the 20th Century
title_fullStr Literary “Projects” in German Culture in the Second Half of the 20th Century
title_full_unstemmed Literary “Projects” in German Culture in the Second Half of the 20th Century
title_sort literary “projects” in german culture in the second half of the 20th century
publisher Ural Federal University Press
series Известия Уральского федерального университета. Серия 2: Гуманитарные науки
issn 2227-2283
2587-6929
publishDate 2018-10-01
description This article studies the tendency behind the emergence of various “literary projects” in Germany’s culture after 1945. The history of literature is traditionally described with its designation of the writers’ communities, united by their artistic interests and perceived as symbols of the era (Gruppe 47, Gruppe 61, Cologne School of New Realism, etc.). However, in the second half of the 20th century, due to changes in the paradigm of values in the public’s consciousness and changes in the publishing policy, not literary groups but “projects” come to the fore. For example, the Bitterfeld Path (Bitterfelder Weg) was an impressive experiment in the literature of the GDR. The idea of an orderly influence on the literary process was successfully adopted in West Germany. This process becomes particularly noticeable at the turn of the 20th century. Thus, after the unification of Germany, books depicting the new world and the life of the younger generation come to be of great demand. For this reason, publishers actively seek and introduce all the new young authors (J. Hermann, B. Lebert, etc.). For many of these authors, being involved in the framework of “literary projects” creates an internal conflict between their own creative aspirations and the demands of the book market. Among the numerous “literary projects”, a special phenomenon is Tristesse Royale (1999), a pop culture quintet, and Gruppe 05 (Lübecker Literaturtreffen) established by G. Grass in 2005, both combining features of a literary group and a literary “project”.
topic Б. Леберт
«Биттерфельдский путь»
Г. Грасс
«Группа 47»
литературные проекты Германии
«Любекские литературные встречи»
Ю. Герман.
url https://journals.urfu.ru/index.php/Izvestia2/article/view/3432
work_keys_str_mv AT dmitryalexandrovichchugunov literaryprojectsingermancultureinthesecondhalfofthe20thcentury
_version_ 1724739964565979136