Tradition and subjectivities: Warri-related comedians and their art

By some coincidence, many Nigerian stand-up comedians were born, raised, live in, or are associated with Warri and its environs. By Warri, as understood in the area, we mean Warri and its surroundings and, to a large extent, what is called the ‘core Delta’ of Nigeria’s Delta State. The comedians in...

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Main Authors: Tanure Ojaide, Enajite Ojaruega
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2020-10-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/8321
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spelling doaj-88c8f08fadd0405487f6c5d41c9687c12020-11-25T03:09:36ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702020-10-0157210.17159/tl.v57i2.8321Tradition and subjectivities: Warri-related comedians and their artTanure Ojaide0Enajite Ojaruega1University of North Carolina, Charlotte, USADelta State University, Abraka, Nigeria By some coincidence, many Nigerian stand-up comedians were born, raised, live in, or are associated with Warri and its environs. By Warri, as understood in the area, we mean Warri and its surroundings and, to a large extent, what is called the ‘core Delta’ of Nigeria’s Delta State. The comedians include Gordons, I Go Dye, AY and Real Warri Pikin. We investigate what is possibly responsible for the natural talent of these comedians. We relate the success of these comedians to the notion of Warri as ‘not coming last’, the history of the city of many ethnicities, boma boys, the blues nature of suffering pain and deprivations but laughing them off, and some indigenous traditions such as the Urhobo udje oral poetic performance which aims to elicit laughter as a means of maintaining normalcy and preventing anybody from deviating from the communally-established norms. We use multiple concepts such as laughter as a means of regulating people’s lives, satire, historicism, culture, and aesthetic considerations to study these Warri-related comedians and their art. We investigate the commonalities, subjectivities, traditions, and individual talents that have made Warri-born, raised, resident, and related comedians so successful—not only in Nigeria, but also in Africa and the world. https://journals.assaf.org.za/index.php/tvl/article/view/8321traditionsubjectivitiesperformanceWarricomedians
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Tanure Ojaide
Enajite Ojaruega
spellingShingle Tanure Ojaide
Enajite Ojaruega
Tradition and subjectivities: Warri-related comedians and their art
Tydskrif vir Letterkunde
tradition
subjectivities
performance
Warri
comedians
author_facet Tanure Ojaide
Enajite Ojaruega
author_sort Tanure Ojaide
title Tradition and subjectivities: Warri-related comedians and their art
title_short Tradition and subjectivities: Warri-related comedians and their art
title_full Tradition and subjectivities: Warri-related comedians and their art
title_fullStr Tradition and subjectivities: Warri-related comedians and their art
title_full_unstemmed Tradition and subjectivities: Warri-related comedians and their art
title_sort tradition and subjectivities: warri-related comedians and their art
publisher Tydskrif vir Letterkunde Association
series Tydskrif vir Letterkunde
issn 0041-476X
2309-9070
publishDate 2020-10-01
description By some coincidence, many Nigerian stand-up comedians were born, raised, live in, or are associated with Warri and its environs. By Warri, as understood in the area, we mean Warri and its surroundings and, to a large extent, what is called the ‘core Delta’ of Nigeria’s Delta State. The comedians include Gordons, I Go Dye, AY and Real Warri Pikin. We investigate what is possibly responsible for the natural talent of these comedians. We relate the success of these comedians to the notion of Warri as ‘not coming last’, the history of the city of many ethnicities, boma boys, the blues nature of suffering pain and deprivations but laughing them off, and some indigenous traditions such as the Urhobo udje oral poetic performance which aims to elicit laughter as a means of maintaining normalcy and preventing anybody from deviating from the communally-established norms. We use multiple concepts such as laughter as a means of regulating people’s lives, satire, historicism, culture, and aesthetic considerations to study these Warri-related comedians and their art. We investigate the commonalities, subjectivities, traditions, and individual talents that have made Warri-born, raised, resident, and related comedians so successful—not only in Nigeria, but also in Africa and the world.
topic tradition
subjectivities
performance
Warri
comedians
url https://journals.assaf.org.za/index.php/tvl/article/view/8321
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AT enajiteojaruega traditionandsubjectivitieswarrirelatedcomediansandtheirart
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