Temporal relay in discussing the cinematic encounters with architecture

Debating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities o...

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Main Author: Anđelković Katarina
Format: Article
Language:srp
Published: Institute of Architecture and Urban and Spatial Planning of Serbia 2015-01-01
Series:Arhitektura i Urbanizam
Subjects:
Online Access:http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdf
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spelling doaj-8b45b1fdd22148e8ad170c74e60be32e2020-11-24T20:59:18ZsrpInstitute of Architecture and Urban and Spatial Planning of SerbiaArhitektura i Urbanizam0354-60552217-80742015-01-01201541152310.5937/a-u0-94050354-60551541015ATemporal relay in discussing the cinematic encounters with architectureAnđelković Katarina0Atelier AG AndjelkovicDebating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities of architectural production that break the design process tradition, as it turned out as unable to support time-based modes of reception of architectural and urban ideas. A discursive analysis of relations between architectural and cinematic space will be shown as a sample which problematizes the issue of time in an altered reality of the recorded material. I will deal with the methodological and theoretical analysis of the relations between the phenomenon of space, time and movement, with the intention to show how cinematic device utilizes its own unique features to make visible movements, to articulate time and interpret linear and the non-linear projection of sequence between cinematic space and real architectural space. As a field of my research, I will take the analogy from the practice of film montage, architectural experiment and multi-screen installation.http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdfarchitectural design processfilmcinematic techniquescinematic spacemontagetemporalityobservation
collection DOAJ
language srp
format Article
sources DOAJ
author Anđelković Katarina
spellingShingle Anđelković Katarina
Temporal relay in discussing the cinematic encounters with architecture
Arhitektura i Urbanizam
architectural design process
film
cinematic techniques
cinematic space
montage
temporality
observation
author_facet Anđelković Katarina
author_sort Anđelković Katarina
title Temporal relay in discussing the cinematic encounters with architecture
title_short Temporal relay in discussing the cinematic encounters with architecture
title_full Temporal relay in discussing the cinematic encounters with architecture
title_fullStr Temporal relay in discussing the cinematic encounters with architecture
title_full_unstemmed Temporal relay in discussing the cinematic encounters with architecture
title_sort temporal relay in discussing the cinematic encounters with architecture
publisher Institute of Architecture and Urban and Spatial Planning of Serbia
series Arhitektura i Urbanizam
issn 0354-6055
2217-8074
publishDate 2015-01-01
description Debating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities of architectural production that break the design process tradition, as it turned out as unable to support time-based modes of reception of architectural and urban ideas. A discursive analysis of relations between architectural and cinematic space will be shown as a sample which problematizes the issue of time in an altered reality of the recorded material. I will deal with the methodological and theoretical analysis of the relations between the phenomenon of space, time and movement, with the intention to show how cinematic device utilizes its own unique features to make visible movements, to articulate time and interpret linear and the non-linear projection of sequence between cinematic space and real architectural space. As a field of my research, I will take the analogy from the practice of film montage, architectural experiment and multi-screen installation.
topic architectural design process
film
cinematic techniques
cinematic space
montage
temporality
observation
url http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdf
work_keys_str_mv AT anđelkovickatarina temporalrelayindiscussingthecinematicencounterswitharchitecture
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