Temporal relay in discussing the cinematic encounters with architecture
Debating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities o...
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Institute of Architecture and Urban and Spatial Planning of Serbia
2015-01-01
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Online Access: | http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdf |
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doaj-8b45b1fdd22148e8ad170c74e60be32e2020-11-24T20:59:18ZsrpInstitute of Architecture and Urban and Spatial Planning of SerbiaArhitektura i Urbanizam0354-60552217-80742015-01-01201541152310.5937/a-u0-94050354-60551541015ATemporal relay in discussing the cinematic encounters with architectureAnđelković Katarina0Atelier AG AndjelkovicDebating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities of architectural production that break the design process tradition, as it turned out as unable to support time-based modes of reception of architectural and urban ideas. A discursive analysis of relations between architectural and cinematic space will be shown as a sample which problematizes the issue of time in an altered reality of the recorded material. I will deal with the methodological and theoretical analysis of the relations between the phenomenon of space, time and movement, with the intention to show how cinematic device utilizes its own unique features to make visible movements, to articulate time and interpret linear and the non-linear projection of sequence between cinematic space and real architectural space. As a field of my research, I will take the analogy from the practice of film montage, architectural experiment and multi-screen installation.http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdfarchitectural design processfilmcinematic techniquescinematic spacemontagetemporalityobservation |
collection |
DOAJ |
language |
srp |
format |
Article |
sources |
DOAJ |
author |
Anđelković Katarina |
spellingShingle |
Anđelković Katarina Temporal relay in discussing the cinematic encounters with architecture Arhitektura i Urbanizam architectural design process film cinematic techniques cinematic space montage temporality observation |
author_facet |
Anđelković Katarina |
author_sort |
Anđelković Katarina |
title |
Temporal relay in discussing the cinematic encounters with architecture |
title_short |
Temporal relay in discussing the cinematic encounters with architecture |
title_full |
Temporal relay in discussing the cinematic encounters with architecture |
title_fullStr |
Temporal relay in discussing the cinematic encounters with architecture |
title_full_unstemmed |
Temporal relay in discussing the cinematic encounters with architecture |
title_sort |
temporal relay in discussing the cinematic encounters with architecture |
publisher |
Institute of Architecture and Urban and Spatial Planning of Serbia |
series |
Arhitektura i Urbanizam |
issn |
0354-6055 2217-8074 |
publishDate |
2015-01-01 |
description |
Debating the complexities of the relationship between space, time and images, have evolved over the paradigmatic change of perception of urban space toward a movement perspective, and encompassed significant changes in the way we see and produce space. In this paper I will point out the modalities of architectural production that break the design process tradition, as it turned out as unable to support time-based modes of reception of architectural and urban ideas. A discursive analysis of relations between architectural and cinematic space will be shown as a sample which problematizes the issue of time in an altered reality of the recorded material. I will deal with the methodological and theoretical analysis of the relations between the phenomenon of space, time and movement, with the intention to show how cinematic device utilizes its own unique features to make visible movements, to articulate time and interpret linear and the non-linear projection of sequence between cinematic space and real architectural space. As a field of my research, I will take the analogy from the practice of film montage, architectural experiment and multi-screen installation. |
topic |
architectural design process film cinematic techniques cinematic space montage temporality observation |
url |
http://scindeks-clanci.ceon.rs/data/pdf/0354-6055/2015/0354-60551541015A.pdf |
work_keys_str_mv |
AT anđelkovickatarina temporalrelayindiscussingthecinematicencounterswitharchitecture |
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1716782946383298560 |