Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
In his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpre...
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Anthropologie et Histoire des Mondes Antiques
2017-03-01
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Online Access: | http://journals.openedition.org/mondesanciens/1903 |
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doaj-8b98b41c90ab425f959e095af08152172020-11-25T02:43:25ZengAnthropologie et Histoire des Mondes AntiquesCahiers Mondes Anciens2107-01992017-03-01910.4000/mondesanciens.1903Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-paintingNikolaus DietrichIn his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpreted as indicators of cultural historical change too, as e.g. in Tonio Hölscher´s important works on changing images of war. This paper adopts a different approach. Differences in the modes of spatial depiction are explained as media phenomena responding to the specificities of picture-genres. Taking the very different treatments of ‘landscape’ in Attic vase-painting (treated as a contrasting comparandum) and in Romano-Campanian wall-painting as a case-study, my aim is to demonstrate how these differences correspond to the respective types of decoration, their specific requirements and their context: Athenian drinking vessels for the symposion and adorned walls as decorum of the Roman upper-class-house.http://journals.openedition.org/mondesanciens/1903pictorial spacelandscapeAttic vase-paintingRoman wall-painting |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Nikolaus Dietrich |
spellingShingle |
Nikolaus Dietrich Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting Cahiers Mondes Anciens pictorial space landscape Attic vase-painting Roman wall-painting |
author_facet |
Nikolaus Dietrich |
author_sort |
Nikolaus Dietrich |
title |
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting |
title_short |
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting |
title_full |
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting |
title_fullStr |
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting |
title_full_unstemmed |
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting |
title_sort |
pictorial space as a media phenomenon: the case of ‘landscape’ in romano-campanian wall-painting |
publisher |
Anthropologie et Histoire des Mondes Antiques |
series |
Cahiers Mondes Anciens |
issn |
2107-0199 |
publishDate |
2017-03-01 |
description |
In his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpreted as indicators of cultural historical change too, as e.g. in Tonio Hölscher´s important works on changing images of war. This paper adopts a different approach. Differences in the modes of spatial depiction are explained as media phenomena responding to the specificities of picture-genres. Taking the very different treatments of ‘landscape’ in Attic vase-painting (treated as a contrasting comparandum) and in Romano-Campanian wall-painting as a case-study, my aim is to demonstrate how these differences correspond to the respective types of decoration, their specific requirements and their context: Athenian drinking vessels for the symposion and adorned walls as decorum of the Roman upper-class-house. |
topic |
pictorial space landscape Attic vase-painting Roman wall-painting |
url |
http://journals.openedition.org/mondesanciens/1903 |
work_keys_str_mv |
AT nikolausdietrich pictorialspaceasamediaphenomenonthecaseoflandscapeinromanocampanianwallpainting |
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1724769459437043712 |