Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting

In his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpre...

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Main Author: Nikolaus Dietrich
Format: Article
Language:English
Published: Anthropologie et Histoire des Mondes Antiques 2017-03-01
Series:Cahiers Mondes Anciens
Subjects:
Online Access:http://journals.openedition.org/mondesanciens/1903
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spelling doaj-8b98b41c90ab425f959e095af08152172020-11-25T02:43:25ZengAnthropologie et Histoire des Mondes AntiquesCahiers Mondes Anciens2107-01992017-03-01910.4000/mondesanciens.1903Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-paintingNikolaus DietrichIn his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpreted as indicators of cultural historical change too, as e.g. in Tonio Hölscher´s important works on changing images of war. This paper adopts a different approach. Differences in the modes of spatial depiction are explained as media phenomena responding to the specificities of picture-genres. Taking the very different treatments of ‘landscape’ in Attic vase-painting (treated as a contrasting comparandum) and in Romano-Campanian wall-painting as a case-study, my aim is to demonstrate how these differences correspond to the respective types of decoration, their specific requirements and their context: Athenian drinking vessels for the symposion and adorned walls as decorum of the Roman upper-class-house.http://journals.openedition.org/mondesanciens/1903pictorial spacelandscapeAttic vase-paintingRoman wall-painting
collection DOAJ
language English
format Article
sources DOAJ
author Nikolaus Dietrich
spellingShingle Nikolaus Dietrich
Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
Cahiers Mondes Anciens
pictorial space
landscape
Attic vase-painting
Roman wall-painting
author_facet Nikolaus Dietrich
author_sort Nikolaus Dietrich
title Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
title_short Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
title_full Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
title_fullStr Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
title_full_unstemmed Pictorial space as a media phenomenon: the case of ‘Landscape’ in Romano-Campanian wall-painting
title_sort pictorial space as a media phenomenon: the case of ‘landscape’ in romano-campanian wall-painting
publisher Anthropologie et Histoire des Mondes Antiques
series Cahiers Mondes Anciens
issn 2107-0199
publishDate 2017-03-01
description In his ground-breaking article “Perspektive als symbolische Form” Erwin Panofsky argued for the fundamental significance of modes of spatial depiction in the visual arts for cultural history. In line with Panofsky’s approach, changing modes of spatial depiction in Graeco-Roman art have been interpreted as indicators of cultural historical change too, as e.g. in Tonio Hölscher´s important works on changing images of war. This paper adopts a different approach. Differences in the modes of spatial depiction are explained as media phenomena responding to the specificities of picture-genres. Taking the very different treatments of ‘landscape’ in Attic vase-painting (treated as a contrasting comparandum) and in Romano-Campanian wall-painting as a case-study, my aim is to demonstrate how these differences correspond to the respective types of decoration, their specific requirements and their context: Athenian drinking vessels for the symposion and adorned walls as decorum of the Roman upper-class-house.
topic pictorial space
landscape
Attic vase-painting
Roman wall-painting
url http://journals.openedition.org/mondesanciens/1903
work_keys_str_mv AT nikolausdietrich pictorialspaceasamediaphenomenonthecaseoflandscapeinromanocampanianwallpainting
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