Denominational Reception of Literary Modernity in Hungary Before 1920

Christian denominations generally viewed the social and ideological changes that occurred throughout the nineteenth century as crises and therefore perceived modern literature as a manifestation of decadence. Due to their diverse rootedness within Hungary’s social and political life, each denominati...

Full description

Bibliographic Details
Main Author: Zoltán Szénási
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2018-08-01
Series:Hungarian Cultural Studies
Subjects:
Online Access:https://ahea.pitt.edu/ojs/index.php/ahea/article/view/315
id doaj-8bc6366ca6624c24ae328bf14152c020
record_format Article
spelling doaj-8bc6366ca6624c24ae328bf14152c0202020-11-25T01:15:38ZengUniversity Library System, University of PittsburghHungarian Cultural Studies2471-965X2018-08-01110233110.5195/ahea.2018.315307Denominational Reception of Literary Modernity in Hungary Before 1920Zoltán Szénási0Research Center for Humanities, Institute of Literary Studies (Budapest) for the Hungarian Academy of SciencesChristian denominations generally viewed the social and ideological changes that occurred throughout the nineteenth century as crises and therefore perceived modern literature as a manifestation of decadence. Due to their diverse rootedness within Hungary’s social and political life, each denomination reacted distinctively to the phenomena of the modern. This paper describes the different reactions of the Catholic and Protestant Churches and examines their social background by analyzing the denominational and literary conditions of Hungary at the end of the nineteenth and the beginning of the twentieth century. Obviously, both the Catholic and Protestant Churches needed to modernize their social and cultural institutions in order to regain their former social bases: until 1920, however, this effort yielded no valuable results, primarily because their attempts to create a denominational version of modern literature was subordinated to the requirements of religious morality and thus was not capable of achieving artistic autonomy.https://ahea.pitt.edu/ojs/index.php/ahea/article/view/315Religious denomination, modernity, Christian culture, Protestant literature, Catholic literature, Magyar Protestáns Irodalmi Társaság [‘The Hungarian Protestant Literary Society’], Protestáns Szemle [‘The Protestant Review’], Ottokár Prohászka
collection DOAJ
language English
format Article
sources DOAJ
author Zoltán Szénási
spellingShingle Zoltán Szénási
Denominational Reception of Literary Modernity in Hungary Before 1920
Hungarian Cultural Studies
Religious denomination, modernity, Christian culture, Protestant literature, Catholic literature, Magyar Protestáns Irodalmi Társaság [‘The Hungarian Protestant Literary Society’], Protestáns Szemle [‘The Protestant Review’], Ottokár Prohászka
author_facet Zoltán Szénási
author_sort Zoltán Szénási
title Denominational Reception of Literary Modernity in Hungary Before 1920
title_short Denominational Reception of Literary Modernity in Hungary Before 1920
title_full Denominational Reception of Literary Modernity in Hungary Before 1920
title_fullStr Denominational Reception of Literary Modernity in Hungary Before 1920
title_full_unstemmed Denominational Reception of Literary Modernity in Hungary Before 1920
title_sort denominational reception of literary modernity in hungary before 1920
publisher University Library System, University of Pittsburgh
series Hungarian Cultural Studies
issn 2471-965X
publishDate 2018-08-01
description Christian denominations generally viewed the social and ideological changes that occurred throughout the nineteenth century as crises and therefore perceived modern literature as a manifestation of decadence. Due to their diverse rootedness within Hungary’s social and political life, each denomination reacted distinctively to the phenomena of the modern. This paper describes the different reactions of the Catholic and Protestant Churches and examines their social background by analyzing the denominational and literary conditions of Hungary at the end of the nineteenth and the beginning of the twentieth century. Obviously, both the Catholic and Protestant Churches needed to modernize their social and cultural institutions in order to regain their former social bases: until 1920, however, this effort yielded no valuable results, primarily because their attempts to create a denominational version of modern literature was subordinated to the requirements of religious morality and thus was not capable of achieving artistic autonomy.
topic Religious denomination, modernity, Christian culture, Protestant literature, Catholic literature, Magyar Protestáns Irodalmi Társaság [‘The Hungarian Protestant Literary Society’], Protestáns Szemle [‘The Protestant Review’], Ottokár Prohászka
url https://ahea.pitt.edu/ojs/index.php/ahea/article/view/315
work_keys_str_mv AT zoltanszenasi denominationalreceptionofliterarymodernityinhungarybefore1920
_version_ 1725152120658722816