The Ontology of the Musical Work

The Ontology of the Musical Work

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Confronts certain puzzles raised about the nature and identity of the musical work, and dismisses these puzzles as unreal: either they concern the musical work itself, in which case they are puzzles about the metaphysical status of an intentional object, and therefore susceptible to an arbitrary so...

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Bibliographic Details
Main Author: Roger Scruton
Format: Article
Language:English
Published: Disputatio Editions-IAR 2013-12-01
Series:Disputatio
Subjects:
Events
Identity
Intentional Object
Musical Work
Ontology
Online Access:https://studiahumanitatis.eu/ojs/index.php/disputatio/article/view/424
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spelling doaj-8c116836802c49fb92d3955312a3edae2021-09-13T11:28:16ZengDisputatio Editions-IARDisputatio2254-06012013-12-0123The Ontology of the Musical WorkRoger Scruton0University of Oxford, UK Confronts certain puzzles raised about the nature and identity of the musical work, and dismisses these puzzles as unreal: either they concern the musical work itself, in which case they are puzzles about the metaphysical status of an intentional object, and therefore susceptible to an arbitrary solution, or they concern the sounds in which the work is heard, in which case they are simply special cases of the problems concerning the nature and identity of events. https://studiahumanitatis.eu/ojs/index.php/disputatio/article/view/424EventsIdentityIntentional ObjectMusical WorkOntology
collection DOAJ
language English
format Article
sources DOAJ
author Roger Scruton
spellingShingle Roger Scruton
The Ontology of the Musical Work
Disputatio
Events
Identity
Intentional Object
Musical Work
Ontology
author_facet Roger Scruton
author_sort Roger Scruton
title The Ontology of the Musical Work
title_short The Ontology of the Musical Work
title_full The Ontology of the Musical Work
title_fullStr The Ontology of the Musical Work
title_full_unstemmed The Ontology of the Musical Work
title_sort ontology of the musical work
publisher Disputatio Editions-IAR
series Disputatio
issn 2254-0601
publishDate 2013-12-01
description Confronts certain puzzles raised about the nature and identity of the musical work, and dismisses these puzzles as unreal: either they concern the musical work itself, in which case they are puzzles about the metaphysical status of an intentional object, and therefore susceptible to an arbitrary solution, or they concern the sounds in which the work is heard, in which case they are simply special cases of the problems concerning the nature and identity of events.
topic Events
Identity
Intentional Object
Musical Work
Ontology
url https://studiahumanitatis.eu/ojs/index.php/disputatio/article/view/424
work_keys_str_mv AT rogerscruton theontologyofthemusicalwork
AT rogerscruton ontologyofthemusicalwork
_version_ 1717380956545875968

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