Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace

For 6 series, Downton Abbey (ITV1, 2010-2015) narrated the story of the aristocratic Crawley family and of their domestic servants, in the early 20th century. The series’ title and opening credits focus on the country estate where the narrative unfolds, making the ‘big house’ the main character of t...

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Bibliographic Details
Main Author: Victor Faingnaert
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2020-09-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/4776
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spelling doaj-8ff5ae8c11144e4cabb053382d9b07e52020-12-08T11:26:51ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092020-09-011810.4000/tvseries.4776Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espaceVictor FaingnaertFor 6 series, Downton Abbey (ITV1, 2010-2015) narrated the story of the aristocratic Crawley family and of their domestic servants, in the early 20th century. The series’ title and opening credits focus on the country estate where the narrative unfolds, making the ‘big house’ the main character of the series. In the mansion, characters interact within and between their own social/geographic areas in an “upstairs, downstairs” logic. The drama that develops at the scale of the house reflects the social and historical tensions of the United Kingdom before and after the First World War. This article examines the characters’ complex relationships with the spaces and places that compose the Big House, in order to reassess Julian Fellowes’ conservative view of class and emancipation in the fictional universe of the series.http://journals.openedition.org/tvseries/4776Downton Abbeyupstairs downstairsemancipationspacewriting of Historywomen
collection DOAJ
language English
format Article
sources DOAJ
author Victor Faingnaert
spellingShingle Victor Faingnaert
Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
TV Series
Downton Abbey
upstairs downstairs
emancipation
space
writing of History
women
author_facet Victor Faingnaert
author_sort Victor Faingnaert
title Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
title_short Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
title_full Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
title_fullStr Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
title_full_unstemmed Downton Abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
title_sort downton abbey, ou comment représenter les rapports sociaux à travers la demeure et son espace
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2020-09-01
description For 6 series, Downton Abbey (ITV1, 2010-2015) narrated the story of the aristocratic Crawley family and of their domestic servants, in the early 20th century. The series’ title and opening credits focus on the country estate where the narrative unfolds, making the ‘big house’ the main character of the series. In the mansion, characters interact within and between their own social/geographic areas in an “upstairs, downstairs” logic. The drama that develops at the scale of the house reflects the social and historical tensions of the United Kingdom before and after the First World War. This article examines the characters’ complex relationships with the spaces and places that compose the Big House, in order to reassess Julian Fellowes’ conservative view of class and emancipation in the fictional universe of the series.
topic Downton Abbey
upstairs downstairs
emancipation
space
writing of History
women
url http://journals.openedition.org/tvseries/4776
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