The Depiction of Japanese Homosexuality through Masks and Mirrors An Observational Analysis of Funeral Parade of Roses
Matsumoto Toshio’s avant-garde documentary Funeral Parade of Roses (bara no sōretsu) depicts life in Shinjuku’s 1960s underground culture. Using Sakabe Megumi’s hermeneutical theory, the film’s depiction of sexuality is analysed through its use of literal and figurative mirrors and masks. It is ar...
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| Format: | Article |
| Language: | deu |
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Institute of Philosophy of the Jagiellonian University
2019-12-01
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| Series: | The Polish Journal of Aesthetics |
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| Online Access: | https://pjaesthetics.uj.edu.pl/documents/138618288/144215622/PJA-55-3-schmidt.pdf/ed2a51ae-2cc7-4b31-9fe2-6b69bf79bdd3 |