La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa

In this article, I analyze how cinema can contribute to the naturalization of the relationships between women and men. In order to identify how the symbolic violence is exercised, I will focus on the Spanish successful movie from the 90s, Barrio (1998), directed by Fernando León de Aranoa. This feat...

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Main Author: Mercedes Álvarez San Román
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2016-01-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:http://journals.openedition.org/ccec/5924
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spelling doaj-934bf19a26834241afcaa7af9303bc492020-11-24T20:44:17ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612016-01-011510.4000/ccec.5924La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventaMercedes Álvarez San RománIn this article, I analyze how cinema can contribute to the naturalization of the relationships between women and men. In order to identify how the symbolic violence is exercised, I will focus on the Spanish successful movie from the 90s, Barrio (1998), directed by Fernando León de Aranoa. This feature film was produced and released during a turning point in the perception of gender violence, when the society assumed that it was a public problem and not an individual issue. For that reason, I will study the different ways of imposing power as seen through this movie, from one of the subtlest, such as the diffusion of stereotypes, to the most extreme, like violence against women.http://journals.openedition.org/ccec/5924violence against womengenderstereotypecinemaSpain
collection DOAJ
language English
format Article
sources DOAJ
author Mercedes Álvarez San Román
spellingShingle Mercedes Álvarez San Román
La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
Cahiers de Civilisation Espagnole Contemporaine
violence against women
gender
stereotype
cinema
Spain
author_facet Mercedes Álvarez San Román
author_sort Mercedes Álvarez San Román
title La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
title_short La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
title_full La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
title_fullStr La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
title_full_unstemmed La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa
title_sort la mirada confusa de barrio (1998). estereotipos y violencia contra las mujeres en la españa de finales de los noventa
publisher Centre de Recherches Ibériques et Ibéro-Américaines
series Cahiers de Civilisation Espagnole Contemporaine
issn 1957-7761
publishDate 2016-01-01
description In this article, I analyze how cinema can contribute to the naturalization of the relationships between women and men. In order to identify how the symbolic violence is exercised, I will focus on the Spanish successful movie from the 90s, Barrio (1998), directed by Fernando León de Aranoa. This feature film was produced and released during a turning point in the perception of gender violence, when the society assumed that it was a public problem and not an individual issue. For that reason, I will study the different ways of imposing power as seen through this movie, from one of the subtlest, such as the diffusion of stereotypes, to the most extreme, like violence against women.
topic violence against women
gender
stereotype
cinema
Spain
url http://journals.openedition.org/ccec/5924
work_keys_str_mv AT mercedesalvarezsanroman lamiradaconfusadebarrio1998estereotiposyviolenciacontralasmujeresenlaespanadefinalesdelosnoventa
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