On correlation of musical and natural languages: rock music and english

The article deals with the points of intersection of musical discourse and national languages. This issue is relevant for modern linguistics, discourse studies in particular. The issue of the interpenetration of various discourse types over the last decade has been activated at all levels of the le...

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Main Authors: Arkadiy Petrovich Sedykh, Alexander Mikhailovich Amatov, Tatyana Alexandrovna Sidorova, Elvira Nikolajevna Akimova, Konstantin Viktorovich Skvortsov, Anna Nikolaevna Zhavoronkova
Format: Article
Language:English
Published: Universidade Estadual Paulista 2021-06-01
Series:Revista EntreLínguas
Subjects:
Online Access:https://periodicos.fclar.unesp.br/entrelinguas/article/view/15141
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spelling doaj-9457fa0728704689b6671475c518be862021-06-04T04:21:37ZengUniversidade Estadual Paulista Revista EntreLínguas2447-35292021-06-017esp.210.29051/el.v7iesp.2.15141On correlation of musical and natural languages: rock music and englishArkadiy Petrovich Sedykh0Alexander Mikhailovich Amatov1Tatyana Alexandrovna Sidorova2Elvira Nikolajevna Akimova3Konstantin Viktorovich Skvortsov4Anna Nikolaevna Zhavoronkova5 Belgorod National Research University (BSU), BelgorodBelgorod National Research University (BSU), BelgorodNorthern (Arctic) Federal University (NARFU), ArkhangelskPushkin State Russian Language Institute (PUSHKIN), MoscowRussian University of Transport (MIIT), MoscowSaint Petersburg State University (SPBU), Saint Petersburg The article deals with the points of intersection of musical discourse and national languages. This issue is relevant for modern linguistics, discourse studies in particular. The issue of the interpenetration of various discourse types over the last decade has been activated at all levels of the leading directions of the anthropocentric paradigm in academic research. Music and verbal language have repeatedly become the object of analysis and detection of semiotic interaction, but this has mainly concerned folk or classical music and folk songwriting. However, British rock music and English have been studied fragmentarily at the level of individual performers. The purpose of the article is to identify semiotic correlations between music and natural languages. The leading approach to studying the issue is a discourse analysis of empirical material at the level of terminology and prosody of sign functioning. A hypothesis is put forward that the worldwide success of British rock is due not only to the realization of the creative possibilities of talented musicians but to the specific structural and semantic features of the English language and British culture. The authors describe the synergetic elements of English phono-stylistics at the level of diphthong (triphthong) functioning, rhythmic prosody, melodic structures, versification mechanisms, and singing components. Several semiotic correlates of the verbal and non-verbal continuum of rock music and English have been identified. An important element of the discovered correlations is the belonging of musical and verbal discourses to the phenomenon of artistic creativity, in particular, the British historical and cultural tradition. The results of the study can be applied in further research in the field of synergetic correlation between three types of linguocultural substances: music, mentality, and national language. https://periodicos.fclar.unesp.br/entrelinguas/article/view/15141Language of musicNatural languageSemiotic codeVerbal communicationNon-verbal communicationDiscourse analysis
collection DOAJ
language English
format Article
sources DOAJ
author Arkadiy Petrovich Sedykh
Alexander Mikhailovich Amatov
Tatyana Alexandrovna Sidorova
Elvira Nikolajevna Akimova
Konstantin Viktorovich Skvortsov
Anna Nikolaevna Zhavoronkova
spellingShingle Arkadiy Petrovich Sedykh
Alexander Mikhailovich Amatov
Tatyana Alexandrovna Sidorova
Elvira Nikolajevna Akimova
Konstantin Viktorovich Skvortsov
Anna Nikolaevna Zhavoronkova
On correlation of musical and natural languages: rock music and english
Revista EntreLínguas
Language of music
Natural language
Semiotic code
Verbal communication
Non-verbal communication
Discourse analysis
author_facet Arkadiy Petrovich Sedykh
Alexander Mikhailovich Amatov
Tatyana Alexandrovna Sidorova
Elvira Nikolajevna Akimova
Konstantin Viktorovich Skvortsov
Anna Nikolaevna Zhavoronkova
author_sort Arkadiy Petrovich Sedykh
title On correlation of musical and natural languages: rock music and english
title_short On correlation of musical and natural languages: rock music and english
title_full On correlation of musical and natural languages: rock music and english
title_fullStr On correlation of musical and natural languages: rock music and english
title_full_unstemmed On correlation of musical and natural languages: rock music and english
title_sort on correlation of musical and natural languages: rock music and english
publisher Universidade Estadual Paulista
series Revista EntreLínguas
issn 2447-3529
publishDate 2021-06-01
description The article deals with the points of intersection of musical discourse and national languages. This issue is relevant for modern linguistics, discourse studies in particular. The issue of the interpenetration of various discourse types over the last decade has been activated at all levels of the leading directions of the anthropocentric paradigm in academic research. Music and verbal language have repeatedly become the object of analysis and detection of semiotic interaction, but this has mainly concerned folk or classical music and folk songwriting. However, British rock music and English have been studied fragmentarily at the level of individual performers. The purpose of the article is to identify semiotic correlations between music and natural languages. The leading approach to studying the issue is a discourse analysis of empirical material at the level of terminology and prosody of sign functioning. A hypothesis is put forward that the worldwide success of British rock is due not only to the realization of the creative possibilities of talented musicians but to the specific structural and semantic features of the English language and British culture. The authors describe the synergetic elements of English phono-stylistics at the level of diphthong (triphthong) functioning, rhythmic prosody, melodic structures, versification mechanisms, and singing components. Several semiotic correlates of the verbal and non-verbal continuum of rock music and English have been identified. An important element of the discovered correlations is the belonging of musical and verbal discourses to the phenomenon of artistic creativity, in particular, the British historical and cultural tradition. The results of the study can be applied in further research in the field of synergetic correlation between three types of linguocultural substances: music, mentality, and national language.
topic Language of music
Natural language
Semiotic code
Verbal communication
Non-verbal communication
Discourse analysis
url https://periodicos.fclar.unesp.br/entrelinguas/article/view/15141
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